If you grew up in the 80s, you might remember Bronson Pinchot as Balki Bartokomous in Perfect Strangers or Serge in Beverly Hills Cop. But Pinchot has built a second career as an award-winning audiobook narrator. I recently listened to him read A Man on the Moon and while the story of the Apollo program is engrossing all by itself, his narration is fantastic. This interview of Pinchot by Jeff VanderMeer (author of the Southern Reach trilogy) is really interesting, particularly the bits about how he approaches his work.
Q: Do you have a philosophy of how to create the perfect audiobook experience?
A: I do, though, like all philosophical resolutions, I only intermittently achieve it. The essential task facing the narrator is to identify or invent a vivid personal definition of what “narrating” ought to be. I am uncomfortable with the chilliness of the word narration. It sounds very much outside the action - the voice on a National Geographic educational film intoning, “These giraffes are just learning how to mate”; or my mother, upon Audrey Hepburn’s entrance in My Fair Lady, informing the room: “She used to have such big doe eyes; what happened to her eyes?”
Simply “reading a book” aloud in an airless audio booth is the kind of mental and physical punishment only ever glimpsed in the lower section of Michelangelo’s Last Judgment. I decided early on that I should not “read” the book but “be” the book, the way I imagine Homer, in performance, “was” the Odyssey. We know he wasn’t “reading” it. In any case, if an audiobook listener doesn’t have the time to curl up with the actual physical text, he or she still yearns for, and deserves, the experience of being carried away by the author’s vision.
The European Southern Observatory’s Very Large Telescope in Chile has been watching the supermassive black hole in the center of our galaxy and the stars that orbit it. Using observations from the past 20 years, the ESO made this time lapse video of the stars orbiting the black hole, which has the mass of four million suns. I’ve watched this video like 20 times today, my mind blown at being able to observe the motion of these massive objects from such a distance.
New infrared observations from the exquisitely sensitive GRAVITY, SINFONI and NACO instruments on ESO’s Very Large Telescope (VLT) have now allowed astronomers to follow one of these stars, called S2, as it passed very close to the black hole during May 2018. At the closest point this star was at a distance of less than 20 billion kilometres from the black hole and moving at a speed in excess of 25 million kilometres per hour — almost three percent of the speed of light.
S2 has the mass of about 15 suns. That’s 6.6 × 10^31 pounds moving at 3% of the speed of light. Wowowow.
From CityLab visual storyteller Ariel Aberg-Riger, How the Other Half Eats, a look at the myths surrounding welfare and how food aid (in the form of SNAP) works in the US.
And don’t skip the extensive list of sources and recommended reading at the end of the piece…lots to dig into there.
Here’s How America Uses Its Land is a nice presentation by Bloomberg on land use in the US. The land and resources used for livestock makes a great case for Americans eating more vegetarian.
More than one-third of U.S. land is used for pasture — by far the largest land-use type in the contiguous 48 states. And nearly 25 percent of that land is administered by the federal government, with most occurring in the West. That land is open to grazing for a fee.
There’s a single, major occupant on all this land: cows. Between pastures and cropland used to produce feed, 41 percent of U.S. land in the contiguous states revolves around livestock.
Urban areas take up relatively less space but are growing the fastest. And only 100 people own a space the size of Florida? Wow.
On a percentage basis, urban creep outpaces growth in all other land-use categories. Another growth area: land owned by wealthy families. According to The Land Report magazine, since 2008 the amount of land owned by the 100 largest private landowners has grown from 28 million acres to 40 million, an area larger than the state of Florida.
It would be interesting to see this data sliced and diced in a few different ways. I’d love to see land use by state or area of the country or how much each category is growing or shrinking, with projections 5, 10, 20 years into the future.
For years, Jerry Jacobson was in charge of the security of the game pieces for McDonald’s Monopoly, one of the most successful marketing promotions in the fast food giant’s history. And for almost as long, Jacobson had been passing off winning pieces to family, friends, and “a sprawling network of mobsters, psychics, strip club owners, convicts, drug traffickers”, to the tune of more than million in cash & prizes.
Dent’s investigation had started in 2000, when a mysterious informant called the FBI and claimed that McDonald’s games had been rigged by an insider known as “Uncle Jerry.” The person revealed that “winners” paid Uncle Jerry for stolen game pieces in various ways. The $1 million winners, for example, passed the first $50,000 installment to Uncle Jerry in cash. Sometimes Uncle Jerry would demand cash up front, requiring winners to mortgage their homes to come up with the money. According to the informant, members of one close-knit family in Jacksonville had claimed three $1 million dollar prizes and a Dodge Viper.
When Dent alerted the McDonald’s headquarters in Oak Brook, Illinois, executives were deeply concerned. The company’s top lawyers pledged to help the FBI, and faxed Dent a list of past winners. They explained that their game pieces were produced by a Los Angeles company, Simon Marketing, and printed by Dittler Brothers in Oakwood, Georgia, a firm trusted with printing U.S. mail stamps and lotto scratch-offs. The person in charge of the game pieces was Simon’s director of security, Jerry Jacobson.
One of the winners, Jerry Columbo, a partner of Jacobson’s who was allegedly a member of the Mafia, even appeared in this TV commercial holding an oversized novelty key to a car he had “won”:
At the height of the scam, no normal person won any of the best Monopoly prizes…they were all arranged by Jacobson. This has to become a movie, right?
I remember when the Monopoly game started. We didn’t eat out that much when I was a kid, but we still played a few times here and there. But I distinctly remember studying the game board, looking at the odds of winning, and figuring out how they must restrict some single game pieces to make it all work. You could get Park Places all day long, but you’d never ever see a Broadway. After that realization, I lost interest in playing. It was an early lesson about not spending too much time and energy striving for unattainable goals. Besides, those delicious McDonald’s fries were reward enough.
The good news for you parents of young children is that eventually they learn how to apply their own sunscreen. The bad news? They still would rather have a finger lopped off than to do it without complaining Every. Single. Freaking. Time.
It’s fun to watch this kidney bean grow into a plant over the course of 25 days to the strains of The Blue Danube waltz by Johann Strauss. Thanks to this cross-sectional view, you can see the main root push down into the soil and the tendrils branching out to anchor the plant for its remarkable vertical growth to come.
I have been going a little Moon crazy lately. There was the whole Apollo 11 thing, I finished listening to the excellent audiobook of Andrew Chaikin’s A Man on the Moon (which made me feel sad for a lot of different reasons), and am thinking about a rewatch of From the Earth to the Moon, the 1998 HBO series based on Chaikin’s book. This video from National Geographic answers a lot of questions about the Moon in a short amount of time.
From Vladimir Tomin, a fun augmented reality video where he uses a set of image editing tools to manipulate the scenery in fanciful ways. (It’s kinda hard to describe this…just give it 5 seconds and you’ll get the idea.)
(via Instagram’s explore page (yes, I’m the guy who uses the IG explore page))
Darth Vader was only on screen in the original Star Wars movie for 8 minutes and for a little under 34 minutes in the whole original trilogy. In the latest Nerdwriter episode, Evan Puschak examines how the cinematography of the films (particularly Empire Strikes Back) helped make Vader into an iconic character despite such little screentime.
Mark Hogancamp was beaten by five men outside a bar and left for dead. He spent nine days in a coma, lost his memory, and spent over a year in physical therapy. As part of his recovery, Hogancamp built a meticulously constructed WWII town in his backyard that he called Marwencol.
When his state-sponsored rehabilitative therapies ran out, Mark took his recovery into his own hands. In his backyard, he created a new world entirely within his control — a 1:6 scale World War II town he named Marwencol. Using doll alter egos of his friends and family, his attackers and himself, Mark enacted epic battles and recreated memories, which he captured in strikingly realistic photographs. Those photos eventually caught the eye of the art world, which lead to a series of gallery exhibitions, the award-winning documentary “Marwencol,” the acclaimed book “Welcome to Marwencol,” and a new identity for a man once ridiculed for playing with dolls.
Robert Zemeckis has turned Hogancamp’s story into a movie starring Steve Carell called Welcome to Marwen. Here’s the trailer; it comes out in December 2018:
Melissa McCracken has synesthesia and experiences seeing the music she listens to as shifting colors. In an old artist statement, McCracken explained how she sees the world differently than many people:
Basically, my brain is cross-wired. I experience the “wrong” sensation to certain stimuli. Each letter and number is colored and the days of the year circle around my body as if they had a set point in space. But the most wonderful “brain malfunction” of all is seeing the music I hear. It flows in a mixture of hues, textures, and movements, shifting as if it were a vital and intentional element of each song.
Great Big Story did a short video profile of McCracken a couple of years ago:
I like how she says she dislikes how some songs sound but likes how they look. What a cool way to be able to experience the world.
McCracken is a bit coy on her site and Instagram about which songs inspired which paintings, but the paintings above are titled Love Is Touching Souls (from a Joni Mitchell lyric), Life on Mars (David Bowie), and Wasn’t It Kind of Wonderful (lyrics from a Lianne La Havas song?).
What makes a good movie villain? In this video, Lessons from the Screenplay discusses what I thought was the best and most interesting aspect of Black Panther: the empathetic villain in the form of Killmonger.
Killmonger is a great example of how an antagonist can challenge the hero not just through confrontation and violence, but by representing something that affects the hero emotionally.
Rather than pitting T’Challa against some “generically evil” villain, the filmmakers gave him a true foil that both he and the audience could empathize with. And by the end, Killmonger actually changes T’Challa’s mind on the central issue in the film and it felt earned.
What happens when a city made entirely of cardboard catches fire? Nothing good, as Phil Brough’s 3D animated short film clearly illustrates. Fire in Cardboard City has been playing at film festivals around the world and now thanks to the New Yorker, you can watch the whole thing online. Sarah Larson talked with Brough about how the film came together.
The results look so realistic that they could almost be stop-motion. “I built a big virtual set, I guess, is how you could describe it,” he said. “The characters are like stop-motion marionettes in a way; they have joints to the arms and the knees and all of that, and controllers.” He then used a low-budget motion-capture process — a D.I.Y. version of Hollywood’s green screens and Ping-Pong-ball suits — using the XBox Kinect and special software. “It sees you doing the motions you want the character to do, and then you can transfer that to the animation so you can transfer that onto your characters,” he said. He considered having a giant robot attack Cardboard City, and then settled on fire: that looked kind of cool, too.
I *love* the DIY corrugated cardboard look of this film…I’d happily watch a feature-length version of this. See also Caine’s Arcade. (thx, karen)
The dates and areas on both of these maps are rough & approximate1 but the important thing to notice here is the acceleration of the pace of technology. The technology of farming (seeds, techniques, tools, etc.) took thousands of years to spread across Europe but the expansion of industrial technology happened on the order of decades in the mid 19th century. That’s an incredible quickening.
And now? Seconds.2 An app launched in China can be downloaded moments later in a cottage in England or a cabin in Quebec and cutting edge scientific papers published in Brazil can be accessed almost instantaneously in India or Kenya. That’s fast enough that plotting it on a map doesn’t make sense…charts likethese tell the story of technology adoption much better:
Maps like these are necessarily approximate, interpretive, and can change due to new discoveries and such. I’m not gonna give you a full rundown on the current state of the research into the spread of farming and industrialization. Check out Wikipedia (farming, industrialization) and work your way elsewhere if you’re really interested.↩
Acknowledging that just because something can be distributed worldwide in a couple seconds doesn’t mean everything is equally available in every part of the world. Even now, the William Gibson quote still holds: “The future is already here — it’s just not very evenly distributed.”↩
Each of the cities above is represented by a polar histogram (aka rose diagram) depicting how its streets orient. Each bar’s direction represents the compass bearings of the streets (in that histogram bin) and its length represents the relative frequency of streets with those bearings.
Looking at these graphs, you get a real sense of just how planned American cities are compared to much of the rest of the world, where cities grew more organically over longer periods of time. (Although I’m curious to see what the graph for all of NYC would look like…a bit more like Boston perhaps.)
At this point, Ginsburg was a leader on the legal side of the women’s movement, especially when she became the first tenured woman at Columbia Law School, in 1972. She co-founded the first law review on women’s issues, Women’s Rights Law Reporter, and co-authored the first casebook on the subject. Also in 1972, she co-founded the women’s-rights project at the American Civil Liberties Union. When Sally Reed took her case to the Supreme Court, Ginsburg volunteered to write her brief.
“In very recent years, a new appreciation of women’s place has been generated in the United States,” the brief states. “Activated by feminists of both sexes, courts and legislatures have begun to recognize the claim of women to full membership in the class ‘persons’ entitled to due process guarantees of life and liberty and the equal protection of the laws.” In an opinion for a unanimous Court in Reed v. Reed, Chief Justice Burger overturned the Idaho law as “the very kind of arbitrary legislative choice forbidden by the Equal Protection Clause of the Fourteenth Amendment.” Sex discrimination, in other words, was unconstitutional. Susan Deller Ross, a professor at Georgetown University Law Center, who also worked as a lawyer on sex-discrimination cases during this period, said of Ginsburg, “She helped turn the Court a hundred and eighty degrees, from a very hands-off attitude, which had often been expressed very cavalierly, to one where they struck down law after law that treated the sexes differently.”
Building on the Reed precedent, Ginsburg launched a series of cases targeting government rules that treated men and women differently. The process was in keeping with Ginsburg’s character: careful, step by step. Better, Ginsburg thought, to attack these rules and policies one at a time than to risk asking the Court to outlaw all rules that treated men and women differently. Ginsburg’s secretary at Columbia, who typed her briefs, gave her some important advice. “I was doing all these sex-discrimination cases, and my secretary said, ‘I look at these pages and all I see is sex, sex, sex. The judges are men, and when they read that they’re not going to be thinking about what you want them to think about,’” Ginsburg recalled. Henceforth, she changed her claim to “gender discrimination.”
The piece mentions an impromptu serenade of opera fan Ginsburg by Plácido Domingo at Harvard…it’s a cute moment:
I’ve been keeping track of every media thing I “consume”,1 so here are quick reviews of some things I’ve read, seen, heard, and experienced in the two months or so. My summer has been a little slow, media-wise…the World Cup, my roadtrip, and time spent enjoying the outdoors have conspired to limit my reading and watching time. This is not a bad thing. I’m still working my way through The Odyssey w/ the kids (now on hold b/c they’re at camp) and David Christian’s Origin Story. I wanted to get way more reading done this summer than I have…maybe I can pick up the pace in August. (Ignore the letter grades. Or don’t!)
Solo: A Star Wars Story. The movie was fine, but I liked the branding for it more. I would watch an Enfys Nest movie though. (B)
American Innovations. Engaging and informative podcast hosted by Steven Johnson. (B)
Ocean’s 8. Pretty good but would have benefitted from a slightly more clever plot and direction by Soderbergh. (B+)
ye. As I’ve heard from more than one person: I hate that I like this album. (B+)
Skin in the Game: Hidden Asymmetries in Daily Life by Nassim Nicholas Taleb. This book contains a valuable central message and several fascinating insights but the constant ad hominems, irrelevant tangents, stereotyping, and general antagonistic tone of the writing makes for tough reading. I wish Taleb were a more generous writer. (B)
Incredibles 2. A solid sequel. Kids gave it two thumbs up. (A-)
Justice League. Not as terrible as I was led to believe. But maybe DC can trade Wonder Woman to Marvel? (C+)
Caliphate. Finished this…what a great and important series. I know a lot of people think Serial is the podcast gold standard, but this was better and more significant. (A)
Seabiscuit. This one always gets me right in the feels. (B+)
Scorpion. Kanye’s latest album is 23 minutes long while Drake went for a full 90 minutes. I know there’s some controversy about it, but it was genuinely great hearing new music from Michael Jackson. (B)
Sharp Objects. This one is a slow burn, but I will watch Amy Adams in anything…she is mesmerizing. (B+)
Star Trek: Voyager. Still making progress on this…I’m about 70% of the way through. It’s better in the middle seasons than a lot of people give it credit for. (B)
Solo roadtrips. The world is a fascinating place…get out and explore it if you can. (A+)
Pacific Rim Uprising. They could have done more with this, but they didn’t. They really didn’t. (C+)
The 2018 FIFA World Cup. I missed most of the knockout stage because I was traveling, but I still loved every minute of this World Cup. (A-)
Jaws. My first time seeing it. (Yes, yes, I know.) Amazing to see so many of Spielberg’s filmmaking techniques on display so early in his career. (A-)
Westworld. This show asks, over and over again, “Is any of this real?” The result is a complete inability on my part to suspend my disbelief…I’m always very aware that what I’m watching is fake. (C-)
You probably dislike the use of the word “consume” when it comes to media. So do I. It conjures up an image of mindlessly feeding on things that talented and artistic people have worked hard on. (See also “media diet”.) But different forms of work have different verbs associated with them: TV shows & movies are watched, books are read, podcasts are listened to, theme parks are experienced. What one word works for all of those? Enjoyed? I surely don’t enjoy all the stuff I watch/listen to/watch/experience (see!!). Experienced? That suggests a passiveness that doesn’t apply to how I watch/read things. “Consumed” works, for better or worse. Does anyone have a better suggestion? I am ready to consume it… ↩
Eric Geusz takes everyday objects like can openers, tongs, and potato peelers and turns them into spaceships that wouldn’t look out of place in Star Wars or Star Trek.
I love hearing people talk about how they work. In this quick video, conductor James Gaffigan explains what it is he does on stage and how different composers like Leonard Bernstein shape and enhance the performance of the musicians they’re leading.
If you’ve ever seen an orchestra perform you’ve probably had a difficult time looking away from the person dead center on the stage — the conductor. It’s hard to miss someone as they swing their arms around pointing at the musicians that seem to be focused instead on their music stands. So what exactly is the conductor doing?
This comparison by designer Alexander Singh of the development of the web from home pages to massive content farms like Facebook with the development of agriculture really got some of the ol’ neurons firing.
Over the past 25 years, the web appears to have transitioned from a primarily nomadic culture to a mostly agrarian one, mirroring the Neolithic Revolution 10,000 years ago.
The simplicity of HTML-only site building, spaces like Geocities & Angelfire, and cultural artifacts such as web rings coupled with poor search engine tech saw us navigate the web like nomads: from point to point, link to link.
The web has developed & so have the skills necessary to build within it. HTML was easy. CSS took a little more time & JS more again, alienating most and establishing a class hierarchy. Discovery was solved, weakening point-to-point navigation.
The literate Priesthood can still build & interface with the web, but the vast majority of people are relegated to the peasantry. “Fortunately” for them, motivated benefactors have offered a Faustian bargain to make their lives “easier”.
Corporate Feudalism has emerged to create centralized, “safe” spaces for the peasantry to work & play. Attention is farmed and sold in exchange for convenience, protection, mediated self-expression & an indifferent audience. You can do anything if it’s within their borders.
Very interesting. What comes next? What does the web’s Renaissance or Enlightenment look like? (via @pieratt)
Author and New Yorker writer David Grann is out with a new book in the fall: The White Darkness. The book tells the story of polar explorer Henry Worsley, who attempted to duplicate the polar voyages of Ernest Shackleton, and is based on a long NYer piece written by Grann earlier this year.
The man felt like a speck in the frozen nothingness. Every direction he turned, he could see ice stretching to the edge of the Earth: white ice and blue ice, glacial-ice tongues and ice wedges. There were no living creatures in sight. Not a bear or even a bird. Nothing but him.
It was hard to breathe, and each time he exhaled the moisture froze on his face: a chandelier of crystals hung from his beard; his eyebrows were encased like preserved specimens; his eyelashes cracked when he blinked. Get wet and you die, he often reminded himself. The temperature was nearly minus forty degrees Fahrenheit, and it felt far colder because of the wind, which sometimes whipped icy particles into a blinding cloud, making him so disoriented that he toppled over, his bones rattling against the ground.
In response to a dumb viral video with almost 20 million views that suggests detonating a powerful nuclear device at the bottom of the ocean would unleash global chaos, Kurzgesagt provides a counterpoint using, you know, science. This was also an early What If? query:
The bubble grows to about a kilometer across in a couple of seconds. The water above bulges up, though only slightly, over a large area. Then the pressure from that six miles of water overhead causes it to collapse. Within a dozen or so seconds, the bubble shrinks to a minimum size, then ‘bounces’ back, expanding outward again.
It goes through three or four cycles of this collapse and expansion before disintegrating into, in the words of the 1996 report, “a mass of turbulent warm water and explosion debris.” According to the report, as a result of such a deep-water closed bubble creation and dissipation, “no wave of any consequence will be generated.”
Gosh, I don’t know what micro-fraction of regular readers are going to be interested in this, but I sure was! In 2015, DJ Pete Tong and the Heritage Orchestra (under director Jules Buckley) collaborated on a performance of a bunch of Ibiza club hits from the likes of Moby, Fatboy Slim, Orbital, Brainbug, and Daft Punk. Here’s a Spotify playlist of the songs they covered.
Did I get goosebumps when the violins started in on Robert Miles’ Children? Possibly! Some of this stuff was the soundtrack to my web design work & play in the late 90s. kottke.org circa 1999 was at least 20% Fatboy Slim, Orbital, BT, Robert Miles, The Orb, and Daft Punk.
At Miya’s Sushi in New Haven, CT, chef owner Bun Lai makes sustainable sushi using invasive species and other typically overlooked ingredients.
By collecting invasive seafood on shell-fishing beds, we are basically providing a free weeding service… We hope that this will do a few things. First of all, it could potentially curb the dominance of invasive species in the ecosystem. Secondly, it would provide the seafood industry a greater supply of native seafood and reduce the stresses on those populations already fished. Finally, we hope that it would encourage greater balance in the inter-regenerative relationship between man and the oceans. If we were to have thirty Miya’s in thirty different places, each one would have a slightly different menu, each reflecting the problems of its local universe.
In this video, MoMA film curator La Frances Hui gives us a very quick and informative overview of what to look for when watching kung fu and martial arts films. Aside from Jackie Chan & more recent stuff like Crouching Tiger & Hero, I’ve never been super into martial arts movies, but after watching this, I’m excited to watch some of Lau Kar-leung’s films, particularly The 36th Chamber of Shaolin (which is currently streaming on Amazon Prime). Lau also directed and did the fight choreography for Drunken Master II, a favorite of mine that I haven’t seen in awhile.
NVIDIA trained a deep learning framework to take videos filmed at 30 fps and turn them into slow motion videos at the equivalent of 240 or even 480 fps. Even though the system is guessing on the content in the extra frames, the final results look amazingly sharp and lifelike.
“There are many memorable moments in your life that you might want to record with a camera in slow-motion because they are hard to see clearly with your eyes: the first time a baby walks, a difficult skateboard trick, a dog catching a ball,” the researchers wrote in the research paper. “While it is possible to take 240-frame-per-second videos with a cell phone, recording everything at high frame rates is impractical, as it requires large memories and is power-intensive for mobile devices,” the team explained.
With this new research, users can slow down their recordings after taking them.
For more than 30 years beginning in the 1960s, photographer John Margolies criss-crossed the USA documenting the roadside architecture of a pre-corporate America, taking photos of diners, weird sculptures, mini golf courses, and signs that don’t exist anymore in great numbers.
Before the advent of corporate communications and architectural uniformity, America’s built environment was a free-form landscape of individual expression. Signs, artifacts, and even buildings ranged from playful to eccentric, from deliciously cartoonish to quasipsychedelic. Photographer John Margolies spent over three decades and drove more than 100,000 miles documenting these fascinating and endearingly artisanal examples of roadside advertising and fantasy structures, a fast-fading aspect of Americana.
Sleep may be the most important everyday phenomenon that we understand the least well. It’s like the oceans; it’s everywhere, but we’ve only explored the surfaces. But scientists are still working to establish better knowledge of what sleep does, how it works, and why every animal does it (and needs to do it). National Geographic has a very pretty and pretty thorough summary of the latest theories of sleep scientists on what we do when we fall asleep.
The waking brain is optimized for collecting external stimuli, the sleeping brain for consolidating the information that’s been collected. At night, that is, we switch from recording to editing, a change that can be measured on the molecular scale. We’re not just rotely filing our thoughts—the sleeping brain actively curates which memories to keep and which to toss.
It doesn’t necessarily choose wisely. Sleep reinforces our memory so powerfully—not just in stage 2, where we spend about half our sleeping time, but throughout the looping voyage of the night—that it might be best, for example, if exhausted soldiers returning from harrowing missions did not go directly to bed. To forestall post-traumatic stress disorder, the soldiers should remain awake for six to eight hours, according to neuroscientist Gina Poe at the University of California, Los Angeles. Research by her and others suggests that sleeping soon after a major event, before some of the ordeal is mentally resolved, is more likely to turn the experience into long-term memories.
It’s basically a maintenance cycle. At deeper levels of sleep, we’re literally cleaning away waste products of waking life in the brain.
Good sleep likely also reduces one’s risk of developing dementia. A study done in mice by Maiken Nedergaard at the University of Rochester, in New York, suggests that while we’re awake, our neurons are packed tightly together, but when we’re asleep, some brain cells deflate by 60 percent, widening the spaces between them. These intercellular spaces are dumping grounds for the cells’ metabolic waste—notably a substance called beta-amyloid, which disrupts communication between neurons and is closely linked to Alzheimer’s. Only during sleep can spinal fluid slosh like detergent through these broader hallways of our brain, washing beta-amyloid away.
Dreams, too, reflect this heightened activity of the brain, but it’s unclear whether dreams themselves are a kind of harmless aftereffect or whether they perform a key function at reinforcing memory.
Lately, I’ve been fascinated by my own dreams, not least because reality has so often been disappointing. One recurring theme has been universities: libraries, offices, classrooms, campuses, over and over again. This isn’t terribly surprising: I spent a shade less than half my life, and most of my adult life, either going to school or working at one. But it’s difficult to make sense of. Do I miss the security/adventure of those times? Am I consolidating those memories to make room for new ones? Is an oracular entity trying to convince me to go back to school? I’m not sure. But understanding that SOMEthing is going on is a kind of balm that’s useful to me in ways I can’t totally articulate.
Some very useful advice from Valet magazine (which I confess I don’t read — thanks Yuri Victor!) on how to ask for a favor. It’s step by step and super simple:
Be direct with your request;
Give your reason why;
Provide an opportunity for escape.
This last step, in particular, is nicely articulated:
This is really just good manners and keeps your relationship in good standing. It shows the other person you respect their time and that this isn’t a guilt trip. When you ask a favor, always offer the other person the opportunity to easily and graciously decline. End your request with something like, “I understand if you can’t do this now,” or “Please don’t feel obligated, if you aren’t comfortable with this.” Say this and mean it. Because a favor you aren’t able to refuse isn’t a favor at all. It’s an order or a command.
You can embroider this with lots of detail specific to the kind of behavior you’re asking for, but the core here is pretty spot-on. There’s also a nice bit of advice for folks granting a favor, that basically boils down to “do it or don’t do it, but don’t be a jerk about it.”
I am a sucker for high-tech analog art: magnetic tape, early wireless, punch cards, film and vinyl, the telephone, telegraph, and typewriter, and electricity before the transformation of digital technology. Consequently, and unsurprisingly, I love the BBC Radiophonic Workshop, and was delighted to read an article on its history from The Guardian.
Radiophonics owes everything to the invention of the tape recorder. Once you could capture sound, using a workable material, you could play with it: slow it down until it thundered, feed it back on itself until it shrieked and echoed, or simply slice bits out. However extreme these experiments became, there was always something eerily familiar to the ear, because they were made from real objects or events.
The term “radiophonic” came about because these mutated everyday sounds were put to the service of radio. “It is a new sound,” said the BBC, “suggestive of emotion, sensation, mood, rather than the literal moaning of the wind or the opening of a door.” Such things are now so easily achieved with digital technology that it’s hard to grasp how laborious - and groundbreaking - this all was.
The piece, riffing on a new book by does a nice job of eschewing undue nostalgia while digging into some of the Workshop’s most famous work — Doctor Who, The Hitchhiker’s Guide to the Galaxy — while also pointing out that most of the work was on simple education programs (which nevertheless introduced whole generations to new sonic possibilities). It restores the place of the many women who came through the workshop, including the inventive Delia Derbyshire, who played a huge role even as they often couldn’t get jobs at record studios or elsewhere in the recording industry.
My only complaint: it’s too darn short. I gotta read a book or something.
I believe that this nation should commit itself to achieving the goal, before this decade is out, of landing a man on the moon and returning him safely to the earth.
A little more than 8 years later, it was done. On July 20, 1969, 49 years ago today, Neil Armstrong and Buzz Aldrin landed on the Moon, took a walk, and returned safely to Earth a few days later. And the whole thing was broadcast live on television screens around the world.
4:10:30 pm: Moon landing broadcast starts
4:17:40 pm: Lunar module lands on the Moon
4:20:15 pm: Break in coverage
10:51:27 pm: Moon walk broadcast starts
10:56:15 pm: First step on Moon
11:51:30 pm: Nixon speaks to the Eagle crew
12:00:30 am: Broadcast end (on July 21)
You can add these yearly recurring events to your calendar: Moon landing & Moon walk.
Here’s what I wrote when I launched the project, which is one of my favorite things I’ve ever done online:
If you’ve never seen this coverage, I urge you to watch at least the landing segment (~10 min.) and the first 10-20 minutes of the Moon walk. I hope that with the old time TV display and poor YouTube quality, you get a small sense of how someone 40 years ago might have experienced it. I’ve watched the whole thing a couple of times while putting this together and I’m struck by two things: 1) how it’s almost more amazing that hundreds of millions of people watched the first Moon walk *live* on TV than it is that they got to the Moon in the first place, and 2) that pretty much the sole purpose of the Apollo 11 Moon walk was to photograph it and broadcast it live back to Earth.
I’ve been listening to the audiobook of Andrew Chaikin’s account of the Apollo program, A Man on the Moon, and the chapter about Apollo 11’s Moon landing was riveting.1 I’ve watched the TV footage & listened to the recordings dozens of times and I was still on the edge of my seat, sweating the landing alongside Armstrong and Aldrin. And sweating they were…at least Armstrong was. Take a look at his heart rate during the landing; it peaked at 150 beats per minute at landing (note: the “1000 ft altitude” is mislabeled, it should be “100 ft”):
For reference, Armstrong’s resting heart rate was around 60 bpm. There are a couple of other interesting things about this chart. The first is the two minutes of missing data starting around 102:36. They were supposed to be 10 minutes from landing on the Moon and instead their link to Mission Control in Houston kept cutting out. Then there were the intermittent 1201 and 1202 program alarms, which neither the LM crew nor Houston had encountered in any of the training simulations. At the sign of the first alarm at 102:38:26, Armstrong’s heart rate actually appears to drop. And then, as the alarms continue throughout the sequence along with Houston’s assurances that the alarm is nothing to worry about, Armstrong’s heart rate stays steady.
Right around the 2000 feet mark, Armstrong realizes that he needs to maneuver around a crater and some rocks on the surface to reach a flat landing spot and his heart rate steadily rises until it plateaus at the landing. At the time, he thought he’d landed with less than 30 seconds of fuel remaining. That Neil Armstrong was able to keep his cool with unknown alarms going off while avoiding craters and boulders with very little fuel remaining and his heart rate spiking while skimming over the surface OF THE FREAKING MOON doing something no one had ever done before is one of the most totally cold-blooded & badass things anyone has ever done. Damn, I get goosebumps just reading about it!
The book is read by Bronson Pinchot, who played Balki Bartokomous on the 80s sitcom Perfect Strangers. He is a fantastic audiobook narrator.↩
This is a short video profile of Martin Frost, who might be the last remaining professional fore-edge painter in the world.
Dating back centuries, the delicate art form places intricate scenes on the side of books, cheekily hidden beneath gold gilded pages. The beautiful paintings are only visible to the trained eye, but once you unlock the secret, you’ll find pure magic.
I love the two-way paintings…you fan the book’s pages out one way it depicts one scene and if you fan them out the other, you get another scene.
Unfortunately, America’s inherited infrastructure is more like the old Embarcadero Highway than the boulevard that replaced it. Urban planners spent the 20th century building cities for cars, not people, and alternatives to driving have been systemically undervalued. This legacy has resulted in substandard health outcomes, missed economic opportunities, and a shortage of affordable housing.
We can’t wait around for another earthquake to reverse generations of bad policy. Luckily, it doesn’t require a natural disaster to begin reshaping our infrastructure. Small changes can have an outsized impact in expanding alternatives for how people move around. Rebuilding our infrastructure to enable walking, cycling, and mass transit would bring health and economic benefits that far outweigh its price tag.
People who live in rural areas more or less need their own cars in order to do anything, but private cars in cities are much less necessary. Cities should optimize for buses, subways, cyclists, and pedestrians — they get people to where they’re going without all the outsized infrastructure, waste, and pollution. *repeatedly sticks pin into voodoo doll of Robert Moses*
The photos above are a great grey owl by Steve Mattheis, a long-tailed tit by Diana Rebman, and a flock of cobalt-winged parakeets by Liron Gertsman. Gertsman swept the youth category with the winning image and both honorable mentions. Here’s what he had to say about the parakeets:
Three days in a row I waited in a blind near a clay lick that Cobalt-winged Parakeets and other birds of the Amazon frequent. When hundreds of the birds finally descended from the tree canopy to the mineral-rich forest floor on the third morning, I was ready. I used a slow shutter speed to accentuate the blues in their wings. I don’t think I’ll ever forget the sight of the birds or the deafening roar of parakeet chatter.
What’s the best conference talk/public speech you’ve seen? Topic can be anything. Just the most engaging talk you’ve been present for?
And bonus points: Is there any one particular speaker who’s so good you make an effort to see?
I’ve been to a lot of conferences and seen some very engaging speakers, but the one that sticks out most in my mind is Eloma Simpson Barnes’ performance of a Martin Luther King Jr. speech at PopTech in 2004 (audio-only here).
And so this afternoon, I have a dream. (Go ahead) It is a dream deeply rooted in the American dream.
I have a dream that one day, right down in Georgia and Mississippi and Alabama, the sons of former slaves and the sons of former slave owners will be able to live together as brothers.
I have a dream this afternoon (I have a dream) that one day, [Applause] one day little white children and little Negro children will be able to join hands as brothers and sisters.
In the Drum Major Instinct sermon given two months to the day before his assassination, King told the congregation what he wanted to be said about him at his funeral:
I’d like somebody to mention that day that Martin Luther King, Jr., tried to give his life serving others.
I’d like for somebody to say that day that Martin Luther King, Jr., tried to love somebody.
I want you to say that day that I tried to be right on the war question.
I want you to be able to say that day that I did try to feed the hungry.
And I want you to be able to say that day that I did try in my life to clothe those who were naked.
I want you to say on that day that I did try in my life to visit those who were in prison.
I want you to say that I tried to love and serve humanity.
Some of the power of Barnes’ performance is lost in the video, particularly when audio from King’s actual speeches are availableonline, but sitting in the audience listening to her thundering away in that familiar cadence was thrilling. I can’t imagine how it must have felt to experience the real thing.
Working with the 14-18 NOW project, Peter Jackson is making a film about the experience of the soldiers fighting in World War I. As part of the process, Jackson and his special effects team (who have worked on the LOTR films, etc.) have been remastering and reimagining film footage from the collection of the Imperial War Museums. Here’s Jackson talking about the project and showing some of the remastered video:
The footage has been stabilized, the grain and scratches cleaned up, and the pace slowed down to from comedic to lifelike. Jackson’s also planning on using colorization to make the people in that old footage seem as contemporary as possible. Here are some split-screen stills comparing the old footage with the remastered video:
The finished product will be shown in theaters and schools around the UK in the fall and also on the BBC. (via open culture)
Everyone has that one obviously great and popular movie that they haven’t seen yet for no good reason. Mine is Jaws. Or at least it was. Last night, I finally watched it. What an experience to get to witness the invention of the blockbuster movie and the storytelling gifts of a young Steven Spielberg already approaching full strength.
In this video, Julian Palmer analyzes the beach scene in Jaws and explains what makes it so effective. He compares Spielberg’s filmmaking to Alfred Hitchcock’s and the parallels are apt.
I think the reason why Spielberg is so popular with audiences is because he is so adept at putting the viewer through the ringer. He doesn’t just objectively play out a scene, he engages the viewer directly and makes them experience the same emotions as his characters.
In Georgia in 1963, 15 African-American girls aged 12 to 15 were arrested for trying to buy movie tickets at the whites-only theater entrance. They were arrested and held without charge for up to 45 days, their parents unaware of their whereabouts.
Instead of forming a line to enter from the back alley as was customary, the marchers attempted to purchase tickets at the front entrance. Law enforcement soon arrived and viciously attacked and arrested the girls. Never formally charged, they were jailed in squalid conditions for forty-five days in the Leesburg Stockade, a Civil War era structure situated in the back woods of Leesburg, Georgia. Only twenty miles away, parents had no knowledge of where authorities were holding their children. Nor were parents aware of their inhumane treatment.
Sickening. And to top it off, their parents each had to pay a $2 boarding fee when the girls were finally released. The Leesburg Stockade incident is a timely reminder that tyrants in America on the wrong side of justice have often separated children from their parents for political leverage. It wasn’t right then, and it’s not right now.
In return for speaking at the retreat, Jobs got Murdoch to hear him out on Fox News, which he believed was destructive, harmful to the nation, and a blot on Murdoch’s reputation. “You’re blowing it with Fox News,” Jobs told him over dinner. “The axis today is not liberal and conservative, the axis is constructive-destructive, and you’ve cast your lot with the destructive people. Fox has become an incredibly destructive force in our society. You can be better, and this is going to be your legacy if you’re not careful.” Jobs said he thought Murdoch did not really like how far Fox had gone. “Rupert’s a builder, not a tearer-downer,” he said. “I’ve had some meetings with James, and I think he agrees with me. I can just tell.”
This line from Jobs — “The axis today is not liberal and conservative, the axis is constructive-destructive” — is truly the best summary of Trumpism I’ve seen.
It’s been eight years since that conversation and the Republican Party & their voters have doubled down in destroying opportunities for people (particularly those with little power), driven by the likes of Fox News. This destruction will be felt for generations to come.
Sarah Zhang writes about a support group on Facebook for people who have discovered surprising parentage through DNA testing.
Lisa, 44, admits she is still trying to go of that anger. She had always felt out of place in her family. Her hair — which she always straightened — was naturally fine and curly, her skin dark. “People would think I’m Hispanic, and would speak Spanish to me on the street,” she says. So when an DNA test in 2015 revealed her biological father was likely African American, it clicked into place. But her mom denied it. “She wouldn’t answer me. She would change the subject,” recalls Lisa. When she kept pressing, her mother broke down, saying it would destroy the family and that her dad — the man she grew up with — would kill her. She refused to say anything else about Lisa’s biological father.
I’ve written about this before (here and here) and reading these stories never gets any less heartbreaking. Back in 2010, I shared this:
I know someone who adopted a baby and they have never told her that she’s adopted and don’t plan to (she’s now in her 20s). When DNA testing becomes commonplace in another 5-15 years, I wonder how long that secret will last and what her reaction will be.
DNA testing confirms what we should have known all along: family is more than what biology says it is. Families already look quite differently than they did 40-50 years ago and they will continue to shift in the future, MAGA be damned.
Back in February, Maria Bustillos was set to interview Anthony Bourdain and she figured she’d get about 15 minutes of his highly scheduled time. Instead, the pair spent two-and-a-half hours chatting about anything and everything and the result is this great dialogue, one of the last extensive interviews Bourdain gave before he died in early June.
I like the idea of inspiring or encouraging people to get a passport and go have their own adventures. I’m a little worried when I bump into people, and it happens a lot — “We went to Vietnam, and we went to all the places you went.” Okay that’s great, because I like those people and I like that noodle lady, and I’m glad they’re getting the business, and it pleases me to think that they’re getting all these American visitors now.
But on the other hand, you know, I much prefer people who just showed up in Paris and found their own way without any particular itinerary, who left themselves open to things happening. To mistakes. To mistakes, because that’s the most important part of travel. The shit you didn’t plan for, and being able to adapt and receive that information in a useful way instead of saying, like, “Oh, goddamnit, they ran out of tickets at the Vatican!” or whatever, “That line at the Eiffel Tower is you know, six hours!” and then sulk for the rest of the day.
On my recent trip, I had some things that I wanted to see but largely ended up playing it by ear. And that thing about the mistakes…that hits really really close to home. I also loved his recontextualization of luxury:
I do find that my happiest moments on the road are not standing on the balcony of a really nice hotel. That’s a sort of bittersweet — if not melancholy — alienating experience, at best. My happiest moments on the road are always off-camera, generally with my crew, coming back from shooting a scene and finding ourselves in this sort of absurdly beautiful moment, you know, laying on a flatbed on those things that go on the railroad track, with a putt-putt motor, goin’ across like, the rice paddies in Cambodia with headphones on… this is luxury, because I could never have imagined having the freedom or the ability to find myself in such a place, looking at such things.
To sit alone or with a few friends, half-drunk under a full moon, you just understand how lucky you are; it’s a story you can’t tell. It’s a story you almost by definition, can’t share. I’ve learned in real time to look at those things and realize: I just had a really good moment.
Luxury as freedom of time, place, and companions. Read the whole thing…lots of great stuff in there. Like: he gave away all the royalties to Kitchen Confidential to “various deserving people”.
