Why Beautiful Things Make Us Happier

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In collaboration with creative agency Sagmeister & Walsh, Kurzgesagt explores what beauty is and how it makes people happier. This Atlantic piece is a good companion piece that summarizes some of the research done about beauty’s connection to happiness.

The usual markers of happiness are colloquially known as the “Big Seven”: wealth (especially compared to those around you), family relationships, career, friends, health, freedom, and personal values, as outlined by London School of Economics professor Richard Layard in Happiness: Lessons from a New Science. According to the Goldberg study, however, what makes people happiest isn’t even in the Big Seven. Instead, happiness is most easily attained by living in an aesthetically beautiful city. The things people were constantly surrounded by — lovely architecture, history, green spaces, cobblestone streets — had the greatest effect on their happiness. The cumulative positive effects of daily beauty worked subtly but strongly.

See also Richard Feynman on Beauty.

Tags: video

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Never-Ending Man: Hayao Miyazaki

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After he retired from making feature length films in 2013, legendary animator Hayao Miyazaki started work on a short film using CGI animation techniques, which he had never worked with before. For two years, a film crew followed him and his progress, resulting in a feature-length documentary, Never-Ending Man: Hayao Miyazaki. You can watch the trailer above.

I’m a weak used-up old man. It’d be a ridiculous mistake to think I’ll ever regain my youth. But what do I do with the time I have left?

The documentary was shown on Japanese TV in 2016 but will make its American debut in December, showing on December 13 and 18.

Possible spoiler alert for the documentary: Miyazaki unretired last year and is turning that short film into a full-length feature.

Tags: Hayao Miyazaki   movies   Never-Ending Man: Hayao Miyazaki   trailers   video

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A Robot that Draws Algorithmically-Generated Portraits

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Samer Dabra

Samer Dabra uses a drawing machine called the AxiDraw and a custom program to generate Impressionistic line drawings of people. The machine builds the portraits using four single lines drawn in the four CMYK colors, one on top of another, with minimal tweaking from Dabra. Rion Nakaya of The Kid Should See This edited together a video of the machine creating drawings.

There is something more than a little Vincent van Gogh & Georges Seurat about these. You can see the results on Instagram.

Tags: art   Rion Nakaya   robots   Samer Dabra   video

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Psst. Fast Food Secret Menus Are Rare Spots of Fun in Assembly-Line Dining

Psst. Fast Food Secret Menus Are Rare Spots of Fun in Assembly-Line Dining

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For Literary Hub, Alison Pearlman writes about how secret menus at fast food joints like In-N-Out (4x4, animal style) and McDonald’s (a McDonald’s Double Cheeseburger with a McChicken sandwich crammed into it) are an attempt by customers to push back against corporate standardization.

As you might guess, chain restaurants with units in the many hundreds or thousands lean toward standardization. The larger the chain, the more it regulates everything from menus to service, which creates the public perception of a homogenous and regimented operation.

This is the strongest at limited-service chains because every segment of the company-designed encounter between patron and server is at its most rote. Regulars are supposed to be addressed the same way as first-timers. Managers don’t encourage servers to recall a repeat customer’s favorite dish or how much ice she likes in her tea. That would only slow operations down-the kiss of death for a high-volume operation. If a server does become familiar with a repeat customer, that relationship could lead to special treatment, such as extra generous provisions of fries or special sauce, but interactions like these stray from the company line.

The piece is excerpted from Pearlman’s new book on the design of restaurant menus, May We Suggest: Restaurant Menus and the Art of Persuasion, which sounds fascinating. As a former designer who still very much thinks like one, almost every time I interact with a restaurant menu, I’m looking at how it’s arranged and designed. I think often of William Poundstone’s analysis of Balthazar’s menu.

2. The price anchor. Menu consultants use this prime space for high-profit items, and price “anchors”, in this case the Le Balthazar seafood plate, for $115 (£70). By putting high-profit items next to the extremely expensive anchor, they seem cheap by comparison. So, the triple-figure price here is probably to induce customers to go for the $70 (£43) Le Grand plate to the left of it, or the more modest seafood orders below it.)

And of course, there’s the 11-page menu from Shopsin’s circa-2004 that defies all rational analysis, a “tour de force of outsider information design”.

Tags: Alison Pearlman   Balthazar   books   design   food   May We Suggest   restaurants   Shopsins   William Poundstone

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Powerful Photos of School Shooting Survivors

Powerful Photos of School Shooting Survivors

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For New York magazine, Michael Avedon took photos of 27 survivors of school shootings, including Parkland’s Anthony Borges, a 15-year-old who “barricaded a door to a classroom to protect other students, saving as many as 20 lives”:

Michael Avedon Survivors

Also pictured are survivors from Virginia Tech, Columbine, San Bernardino, and a 1946 shooting in Brooklyn. Accompanying the photos are interviews with each survivor. Here’s Colin Goddard, who was shot at Virginia Tech in 2007:

There were 17 people in that room with me. I’m one of seven alive today.

Eventually, I was able to play sports again and return to my same physical state, which helped my mental state. However, ten years later, I’m dealing with lead poisoning. My mom forwarded me an article about lead levels in gunshot victims, saying, “You ever get tested?” I was never told to.

Sure enough, I had significantly elevated levels of lead in my blood. Thousands of people get shot in this country every year. It’s blown me away that there really is no consensus about how to treat this.

Tags: crime   guns   Michael Avedon   photography

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Mister Rogers’ “Look for the Helpers” Was Not Meant for Adults

Mister Rogers’ “Look for the Helpers” Was Not Meant for Adults

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In a piece for The Atlantic, Ian Bogost argues that Mister Rogers’ “look for the helpers” advice for tragic events was intended for preschoolers and that “turning the reassuring line for children into a meme for adults should make everyone uncomfortable”.

Once a television comfort for preschoolers, “Look for the helpers” has become a consolation meme for tragedy. That’s disturbing enough; it feels as though we are one step shy of a rack of drug-store mass-murder sympathy cards. Worse, Fred Rogers’s original message has been contorted and inflated into something it was never meant to be, for an audience it was never meant to serve, in a political era very different from where it began. Fred Rogers is a national treasure, but it’s time to stop offering this particular advice.

I touched on this briefly in a post a couple of weeks ago:

Fred Rogers often quoted his mother as saying, “Look for the helpers. You will always find people who are helping.” That message was directed at young children who he wanted to help feel secure. For us adults, Rogers might have encouraged us to exercise more moral courage and become those helpers, not just look for them. The world today could use more of that.

(via @davidzweig)

Tags: Fred Rogers   Ian Bogost

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Republican Extremism and the Myth of “Both Sides” in American Politics

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In this video, Carlos Maza talks about how the Republican Party has become more extremist than the Democrats, which has caused our government to cease working in the way that it should. It’s worth watching in full.

Over the past few decades, both Democrats and Republicans in Congress have moved away from the center. But the Republican Party has moved towards the extreme much more quickly — a trend that political scientists’ call “asymmetrical polarization.”

That asymmetry poses a major obstacle in American politics. As Republicans have become more ideological, they’ve also become less willing to work with Democrats: filibustering Democratic legislation, refusing to consider Democratic appointees, and even shutting down the government in order to force Democrats to give in to their demands.

Democrats have responded in turn, becoming more obstructionist as Republican demands become more extreme.

Maza references the work of Norman Ornstein and Thomas Mann, who have written several books on Congress, most relevantly 2012’s It’s Even Worse Than It Looks. The pair have been saying for some time that the present dysfunction in American politics is the fault of the Republican Party, as in a 2012 Washington Post piece titled Let’s just say it: The Republicans are the problem. and a 2017 piece in the NY Times.

What is astounding, and still largely unappreciated, is the unexpected and rapid nature of the decline in American national politics, and how one-sided its cause. If in 2006 one could cast aspersions on both parties, over the past decade it has become clear that it is the Republican Party — as an institution, as a movement, as a collection of politicians — that has done unique, extensive and possibly irreparable damage to the American political system.

In the video, Maza and Ornstein rightfully criticize the “knee-jerk neutrality” on the part of the news media, the inclination to blame “both sides” for failing to work together on specific issues and for the general dysfunction, and in the process refusing to acknowledge that Republican extremist views and tactics are to blame much of the time. They’re not talking about propaganda outlets like Fox News or Breitbart here, by the way — they’re referring to the NY Times, MSNBC, CNN, NPR, and the like. They argue that this impulse results in Americans not getting a clear picture of how our government is failing. Adam Davidson recently made much the same point on Twitter.

Both-sidism operates at every level. From the highest and most noble aspirations and core identity of journalists to the most cowardly, trying to solve a quick problem on deadline level. It is shoved into the brains of newbies and a source of enormous pride for veterans.

Both-sidism determines who gets hired, who gets promoted or fired, how editorial and business decisions are made.

It is so fundamental that there is no mechanism, no language to truly critique it from within. And little ability to adjust when it makes no sense.

You can see “both sides” at work in stories about climate change (making it seem like the science isn’t settled), vaccines (ditto), and even mass murders (“Billy was a quiet boy who loved his momma until he killed 12 children with an assault rifle”). These kinds of stories do their readers the injustice of not telling them the truth. Journalists need to stop doing this and as readers, we need to push them on it.

But what about the voters? Leading up to next week’s midterm elections, much of the focus of progressive anger has been on Donald Trump. But he seems to me to be a symptom and not the disease. The Republican Party is the disease. Take Trump away and, while that might mean fewer accidental nuclear wars, the biggest problems still remain. As long as Republicans persist in operating as a bloc with obstructionist tactics and producing legislation without meaningful debate against the desires of the people, there are no good Republicans. Vote them out, all of them.

Tags: Carlos Maza   journalism   Norman Ornstein   politics   Thomas Mann   USA   video

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Protective Custody in Nazi Germany - Who Was Being Protected?

Protective Custody in Nazi Germany - Who Was Being Protected?

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Another thing I learned on my visit to Topographie Des Terrors in Berlin was how the Nazis subtly twisted the meaning of “protective custody”. That term is typically thought of as a measure to safeguard an individual who might be harmed. It’s not always a positive term — “custody” after all is not freedom and in US prisons, protective custody often subjects the person being protected to solitary confinement.

Beginning in 1933, the Nazis began placing people deemed subversive to the Reich under protective custody, presumably so they would not be harmed by German people upset with their disruptive influence in society. But really, protective custody was a euphemism for jailing Jews, homosexuals, the disabled, Communists, the elderly, Roma, “work-shy”, and political opponents outside of the normal judicial system.

With the reinterpretation of “protective custody” (Schutzhaft) in 1933, police power became independent of judicial controls. In Nazi terminology, protective custody meant the arrest — without judicial review — of real and potential opponents of the regime. “Protective custody” prisoners were not confined within the normal prison system but in concentration camps under the exclusive authority of the SS (Schutzstaffel; the elite guard of the Nazi state).

No due process…these people went straight to concentration camps and were then often murdered. The entity being protected in protected custody was the Nazi regime. From a 1939 article in The Atlantic written by someone who had been imprisoned in the Sachsenhausen concentration camp::

In Germany the words ‘protective custody’ have a double meaning. Originally the term meant the incarceration of people who were threatened by others and who were guarded for their own safety so that they might be protected from their enemies. Now, however, men in protective custody are mostly those who are brought, for the ‘protection of the people and the State,’ into a concentration camp without hearing, without court sentence, without the possibility of redress, and for an indefinite time.

Language, as Orwell and others have long noted, is a powerful tool of fascists and authoritarians. In addition to “protective custody”, the Nazis referred to their plans for Jewish genocide as the “Final Solution to the Jewish Question” and murdering people as subjecting them to “special treatment”. It all sounds so civilized and palatable, easily digestible to normal folks.

Tags: Holocaust   language   legal   Nazis

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A Joyous Cover of Love Will Tear Us Apart Again?

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New Orleans’ Hot 8 Brass Band somehow reimagines Joy Division’s Love Will Tear Us Apart Again as an upbeat jazzy tune.

The band also did a cover of Marvin Gaye’s Sexual Healing a few years ago.

Tags: Hot 8 Brass Band   Joy Division   Marvin Gaye   music   video

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Revisiting the Cursed Dreams of Hayao Miyazaki

Revisiting the Cursed Dreams of Hayao Miyazaki

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For the most recent issue of the kottke.org weekly newsletter, Tim wrote about watching almost all of legendary director Hayao Miyazaki’s films, from Nausicaa: Valley of the Wind to The Wind Rises.

The unsurprising verdict: these movies are amazing works of art, each and every one. I was especially charmed by two movies I’ve always mentally skimmed over: Laputa — Castle in the Sky and Whisper of the Heart. They’re insanely different movies. Laputa is maybe as close as Miyazaki gets to a good guy vs. bad guy epic (although even the pirates who start the film as antagonists end up being comrades by the end of it), and Whisper of the Heart, despite a couple of fantasy sequences, is even closer to straight realism than Miyazaki’s last film, The Wind Rises.

Also probably unsurprising: for allaying anxiety, the movies are a mixed bag, to say the least. There’s an escapism factor to each of them, or rather, an absorption factor, that’s extremely welcome. But they’re also emotionally complex fables about self-destruction, the need for love, and the brutality of the future.

You can subscribe to the newsletter right here.

Tags: Hayao Miyazaki   movies   Tim Carmody

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Stochastic Terrorism

Stochastic Terrorism

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In 2011, an anonymous blogger defined the term “stochastic terrorism”.

Stochastic terrorism is the use of mass communications to incite random actors to carry out violent or terrorist acts that are statistically predictable but individually unpredictable. In short, remote-control murder by lone wolf.

This is what occurs when Bin Laden releases a video that stirs random extremists halfway around the globe to commit a bombing or shooting.

This is also the term for what Beck, O’Reilly, Hannity, and others do. And this is what led directly and predictably to a number of cases of ideologically-motivated murder similar to the Tucson shootings. As of this writing, there is no evidence to link Jared Loughner to a specific source of incitement; but some of the other cases can be clearly linked.

The stochastic terrorist is the person who is responsible for the incitement. For example they go on radio or television and stir up hatred toward a particular person or group.

During the 2016 Presidential campaign, David Cohen noted in Rolling Stone that Donald Trump was practicing stochastic terrorism.

Speaking to a crowd in Wilmington, North Carolina, Tuesday, Trump expressed concern about Hillary Clinton possibly picking Supreme Court justices and other judges. He then said, “If she gets to pick her judges, nothing you can do, folks. Although the Second Amendment people, maybe there is. I don’t know.”

Let that soak in for a second. One of the two major-party nominees for president just called for “Second Amendment people” to “do” something about his political opponent’s judges. According to the Trump campaign’s rapid response team, he was talking about those “Second Amendment people” coming together politically - “unification,” as they called it. The Clinton campaign, and pretty much the entire Internet, saw it differently: as a clear suggestion of violence against a political opponent.

Rewarded for this rhetoric with the highest office in the land, Trump has kept on stoking his base into a furor with tweets and rallies, resulting in the recent pipe bomb mailings to prominent Democrats and the massacre of 11 people at a Pittsburgh synagogue.

Tags: David Cohen   Donald Trump   politics   terrorism

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German Remembrance of the Holocaust and Growing US Anti-Semitism

German Remembrance of the Holocaust and Growing US Anti-Semitism

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I spent a few days in Berlin last week.1 One of things you notice as a visitor to Berlin is the remembrance of the Holocaust and the horrors of the Nazi regime. There’s the Jewish Museum, the Memorial to the Murdered Jews of Europe, and the Topographie Des Terrors, which is an excellent (and free) exhibition detailing how the Nazi terror machine worked.

At the massive train yard at the Deutsches Technikmuseum, they have a dedicated exhibition on how the German rail system was used to transport Jews to concentration camps, including a freight car used in the transports that you could walk into and try to imagine, in some small way, you and your children cheek to jowl with 80 other people, on the way to be murdered. A powerful experience.

Berlin Holocaust Sign

Outside a train station, there was a sign listing concentration camps: “places of horror which we must never forget”.

Berlin Holocaust Boxcar

Just as important, the language they used on the displays in these places was clear and direct, at least in the English translations. It was almost never mealy-mouthed language like “this person died at Treblinka”…like they’d succumbed to natural causes or something. Instead it was “this person was murdered at Treblinka”, which is much stronger and explicitly places blame on the Nazis for these deaths.

As the exhibition at the Topographie Des Terrors made clear, the German response to the Holocaust and Nazi regime wasn’t perfect, but in general, it’s very clear that a) this happened here, and b) it was terrible and must never happen again.

On Saturday morning in Pittsburgh, a man radicalized by the President of the United States and right-wing media walked into a synagogue and killed 11 people, Holocaust survivors among them.

With overt anti-Semitism growing in the US (as well as other things like the current administration’s policies on immigration and jailing of children in concentration camps), it’s instructive to compare the German remembrance of the Holocaust to America’s relative lack of public introspection & remembrance about its dark history.

In particular, as a nation the US has never properly come to terms with the horrors it inflicted on African Americans and Native Americans. We build monuments to Confederate soldiers but very few to the millions enslaved and murdered. Our country committed genocide against native peoples, herded them onto reservations like cattle, and we’re still denying them the right to vote.

These things happened in our history in part because powerful people needed an enemy to rally everyone against. It’s an old but effective tactic: blacks, Indians, Jews, homosexuals, gypsies, Irish, Arabs, Muslims, Mexicans, Chinese, Japanese — they are here to take your jobs, steal your money, rape your women! It’s what slaveowners did to make their forced labor camps socially acceptable to polite Southern society, it’s what the Nazis did to make murdering Jews acceptable to the German people, it’s what the US government and settlers did to commit genocide against Native Americans, and it’s what Donald Trump is doing now. The monuments, exhibitions, and museums I saw in Berlin last week formed a powerful rejoinder to this type of fascism. I think the US really needs to grapple with its history in this regard…or it’ll just keep happening again.

  1. I’ll be posting more about the trip later in the week, I hope.

    Tags: Berlin   Donald Trump   Germany   Holocaust   USA   museums   politics   racism   slavery

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Bohemian Rhapsody, the movie, may not be good but it doesn’t matter

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I cannot wait to see the new Freddie Mercury biopic, Bohemian Rhapsody. It’s out in wide release on November 2 after a long time in the making (Sacha Baron Cohen was attached for six years before dropping out in 2013 over a dispute with the remaining band members). I still think SBC would have made a great Freddie Mercury, and it sounds like some, ahem, colorful details may not have made it into the film. Per NME:

There are amazing stories about Freddie Mercury,” he explained. “The guy was wild. There are stories of little people with plates of cocaine on their heads walking around a party.” However, Baron Cohen learned that these stories would not make the film. “They wanted to protect their legacy as a band.”

Queen was so revered in my household growing up that my father bought me and my siblings each authentic sixpence for when we see the movie together over Thanksgiving. Apparently Brian May considers guitar picks too flexible and uses a vintage sixpence coin instead (they’ve been out of circulation since 1980). I’m hoping the mixed reviews are ignored so that it’s still in the theater after three weeks. Full disclosure: I’ve broken the cardinal blogging rule and not fully read these reviews before posting so I don’t spoil the movie for myself since I MUST SEE IT.

In anticipation of the film’s release, you may want to read this Rolling Stone feature on Queen, which gives significant backstory about Freddie Mercury and the band.

In Queen’s early years, a legend persisted that the band had spent a year or two mapping out the stratagems of its success before anybody ever heard the music. (Deacon once boasted to friends that the group had a “10-year plan.”) For the music press, this sort of ambition showed guile rather than any true passion for the meaning or social possibilities of music. It was an image that Queen didn’t escape for most of their career. In truth, Queen’s rise was beset by questionable business deals and serious health problems (at one point May almost lost an arm to gangrene, and was later hospitalized with hepatitis, then an ulcer). But for Mercury, there was no fallback. May, Taylor and Deacon could all resort to their original academic-bred careers: May kept working toward his Ph.D. thesis in astrophysics in the band’s early years, and Deacon later admitted that he wasn’t convinced Queen were truly viable until after their third LP. Mercury eventually persuaded the band that it was worth abjuring any other careers. “If we were going to abandon all the qualifications we had got in other fields to take the plunge into rock,” May later said, “we weren’t prepared to settle for second-best.”

Settle they did not, by any stretch. Freddie Mercury burned bright and died way too young, at 45.

People had trouble with how Mercury lived and with how he died. There were homophobes who saw his deterioration as a punishment for his sexuality and promiscuity. Others, who had done work combating AIDS, faulted him for not acknowledging his condition until the end. Those judgments will always follow Mercury, but if his music is any key at all, there was an almost prayerful quality about his failings. In song after song he sang about mortality, solitary desolation and hopefulness, but he also implored some unattainable sanctuary — nowhere so openly as in “Save Me,” from The Game: “I have no heart, I’m cold inside/I have no real intent…./Save me/I can’t face this life alone.” But Mercury often felt he had to stay alone, as he had done in his childhood. “It can be a very lonely life,” he said, “but I choose it.” (In the early 1970s, when Austin suggested they have a child together, Mercury allegedly responded, “I’d rather have a cat.”) Instead of domestic refuge, Mercury sought ecstasy and restlessness for most of his life, and obviously that choice incurred a cost. One of his best songs, “Don’t Stop Me Now,” set out his ethos with a starkness that was also blissful: “I’m a rocket ship on my way to Mars/On a collision course/I’m a satellite out of control/I’m a sex machine ready to reload.”

I think we can all agree that Freddie Mercury is a rock god and that Queen’s Live Aid performance is legendary. Please go see the movie when it’s out next week!



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The complicated world of weed in LA

The complicated world of weed in LA

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Amanda Chicago Lewis is the best weed reporter.

Los Angeles is widely agreed to be the biggest and most important cannabis economy in the world, with a few million consumers, tens of thousands of workers, and billions of dollars each year in sales. It is also, from a business and government standpoint, one of the most contentious, complex, and gridlocked legal-marijuana markets in the United States.

It’s both astounding but also completely makes sense that there are 1,700 illicit dispensaries in Los Angeles on top of the 169 licensed establishments. It’s the wild west for weed right now. And the way authorities are handling the explosive growth is less than ideal.

Meanwhile, the DEA sent out threatening letters, and the city and the feds raided dispensaries indiscriminately, regardless of who had registered. Several shop owners went to prison—especially people of color. Even though most early weed entrepreneurs had worked on the illicit market, white dispensary owners who had previously been drug dealers were significantly less likely to have been arrested, and law enforcement was looking for people with criminal records. As time went on, the gray area of medical marijuana’s legality only deepened the racial divide.

Tags: California   drugs

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Shirley Jackson knew the real Vermont

Shirley Jackson knew the real Vermont

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You probably know Shirley Jackson as the author of The Haunting of Hill House but you should know her because of the brilliant and eerie We Have Always Lived in the Castle.

Zoë Heller on the new Jackson biography:

In a new, meticulously researched biography, “A Rather Haunted Life,” Ruth Franklin sets out to rescue Jackson from the sexists and the genre snobs who have consigned her to a dungeon of kooky, spooky middlebrow-ness. Franklin’s aim is to establish Jackson as both a major figure in the American Gothic tradition and a significant, proto-feminist chronicler of mid-twentieth-century women’s lives. In contrast to Jackson’s first biographer, Judy Oppenheimer, whose 1988 book, “Private Demons,” somewhat played up Jackson’s alleged occult powers, Franklin argues that Jackson’s sorceress persona was mostly shtick: a fun way to tease interviewers and to sell books. Jackson was interested in witchcraft, she writes, less as a “practical method for influencing the world” than as “a way of embracing and channeling female power at a time when women in America often had little control over their lives.” Similarly, Jackson used supernatural elements in her work not to deliver cheap thrills but, in the manner of Poe or James, “to plumb the depths of the human condition,” or, more particularly, to explore the “psychic damage to which women are especially prone.”

Heller goes deeper into the gender issues at play:

The tension between socially acceptable housewifery and creative ambition is certainly easy to find in Jackson’s life, but it’s rather harder to locate in her fiction. There’s no question that, in her books, the house is a deeply ambiguous symbol—a place of warmth and security and also one of imprisonment and catastrophe. But the evil that lurks in Jackson’s fair-seeming homes is not housework; it’s other people—husbands, neighbors, mothers, hellbent on squashing and consuming those they profess to care for. And what keeps women inside these ghastly places is not societal pressure, or a patriarchal jailer, but the demon in their own minds. In this sense, Jackson’s work is less an anticipation of second-wave feminism than a conversation with her female forebears in the gothic tradition.

Shirley Jackson and her husband, the lesser-known author Stanley Edgar Hyman, lived in my hometown of North Bennington, in a house just down the street from where I grew up.

In 1945, after their first child was born, they settled in Vermont, where Hyman had been offered a post on the literature faculty at Bennington College. Here, in a rambling, crooked house in North Bennington, they raised four children and became the center of a social set that included Howard Nemerov, Ralph Ellison, Bernard Malamud, and Walter Bernstein. Their domestic life, as described in the comic dispatches that Jackson wrote for Good Housekeeping and Woman’s Home Companion, was raucous and warm. But Jackson was miserable a good deal of the time, as indicated by her increasing reliance on alcohol, tranquillizers, and amphetamines. She felt patronized in her role as a faculty wife and frozen out by the townspeople of North Bennington. (She took her revenge by using them as the model for the barbaric villagers in “The Lottery.”)

This reminds me, she’s not the only novelist to fictionalize my hometown.

Tags: books   Shirley Jackson   Vermont

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Quick podcast recommendations

Quick podcast recommendations

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Here’s a quick roundup of podcasts I’ve been into lately:

30 for 30: Bikram
Beware how you talk about this show if you have any friends who are Bikram practitioners…

Uncover: Escaping NXIVM
The journalist got incredible access because he was a childhood friend of the source. The whole story is bonkers.

The Gateway
This series about controversial social media spiritual guru Teal Swan is highly disturbing and utterly fascinating. The host and producer did an AMA.

The Indicator
Short and smart stories from the Planet Money team.

Slow Burn
Great reporting and pacing in the second season here, on the Clinton-Lewinsky scandal.

(Thanks Marisa, Emily, and Audrey)

Tags: journalism   podcasts

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The quirky coif comedy of Wobble Palace

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For fans of High Maintenance (don’t miss the original HM web series), Broad City (the final season starts in January), and Strangers (a remarkably good show somehow on Facebook): Wobble Palace is streaming now.

The filmmakers behind Wobble Palace, Eugene Kotlyarenko and Dasha Nekrasova, spoke about the esoteric reverse romantic comedy:

One of the influences on this fractured narrative was the 1956 Japanese novel The Key, by Jun’ichiro Tanizaki. “It’s a book where a couple each keep different diaries and the chapters go back and forth between their diaries,” explains Kotlyarenko. “At a certain point, they realize that the other person is breaking into their drawer and reading their diary so they start writing performatively for the other person and it starts destabilizing what is reliable narrative.” Kotlyarenko and Nekrasova mention a few other works that offered some inspiration — La Bon Année (1973) by Claude LeLouch, they say, influenced their film’s ending and Immoral Tales (1973) influenced a masturbation scene.

Tags: movies

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Haptic Labs now makes wearables

Haptic Labs now makes wearables

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I’m a sucker for maps so I’ve been into Haptic Labs quilts since we found out about them nine years ago (thanks Kelsey!). Founder Emily Fischer is endlessly creative, but technical, and is one of the best layoff success stories I know. She originally programmed quilting machines to create to-scale neighborhood map quilts, though now they’re now all handmade.

haptic-constellation.jpg

It’s hard to pick a favorite between the city maps, coastal maps, and constellation quilts. She even does baby quilts (a great gift) and has three lines of kites.

nyc-haptic-quilt.jpg

And now Haptic Lab makes quilted coats, which look great but also feel like draping yourself in bedding. Kind of genius considering the stressful times we live in, no need to get out of bed.

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Tags: maps

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Time travel through words with Merriam-Webster

Time travel through words with Merriam-Webster

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This is much more satisfying than browsing Google Trends, and just as illuminating about cultural shifts. Merriam-Webster’s new Time Traveler surfaces words based on the year they were first introduced in print*.

Apparently I was born the same year as the high five, ecofeminism, air guitar, voice mail, gridlock, heavy lifting, and gazillionaire.

My alma mater was founded in the same year as the words capitalism, Chianti, sassy, pants, pseudoclassic, tragic irony, mauve, and, my personal favorite, somnambulate.

*An important note on First Known Use dates:

The date most often does not mark the very first time that the word was used in English. Many words were in spoken use for decades or even longer before they passed into the written language. The date is for the earliest written or printed use that the editors have been able to discover.
Tags: culture   trends   words

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Robyn’s new album, Honey

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It’s been eight years since Robyn’s last release, which seems like a Donna Tartt-esque wait in the pop music world. Her new album, Honey, is finally out tomorrow. She’s endured a breakup, a reconciliation, and the death of her longtime collaborator and producer, Christian Falk. Exploration of grief and loss are not the most uplifting themes in dance music, but Robyn has a depth beyond most pop stars.

What’s more interesting is seeing Robyn’s relationship to a mind/body connection play out. She got into psychoanalysis, which she calls “un-rigid and experimental” and “an inspiring, amazing place.” Equally important, she danced throughout the making of the album, getting lost in hypnotic rhythms, which in itself is a form of deep therapy.

Missing U is a solid Robyn dance track.

I hope this release means she and her platforms will soon be back on SNL.

And if you happen to be in Stockholm, she’s playing a “secret” gig on Saturday.

Tags: music   Robyn

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Apple on the “radical” use of humans to edit the news

Apple on the “radical” use of humans to edit the news

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This is an interesting look at how Apple News approaches curating their product, which reaches 90 million people. Unlike other algorithm-focused Silicon Valley giants, Apple uses human editors to surface news stories. They layer those hand-picked stories, some of which will get a million views each, with trending and topic-based stories via algorithm.

Apple (surprisingly) gave access to their News editor in chief, Lauren Kern, who weighs accuracy above speed.

Ms. Kern criticized the argument that algorithms are the sole way to avoid prejudice because bias can be baked into the algorithm’s code, such as whether it labels news organizations liberal or conservative. She argued that humans — with all their biases — are the only way to avoid bias.

“We’re so much more subtly following the news cycle and what’s important,” she said. “That’s really the only legitimate way to do it at this point.”

To further her point:

When Apple in June unveiled a special section on the midterm elections, it highlighted Fox News and Vox as partners. Apple said there are as many people reading traditionally left-leaning publications as traditionally right-leaning publications on Apple News.

The piece goes further into the business side and raises the question of whether Apple News can, as it aims, help save journalism. While newsrooms are seeing a bump in traffic from Apple News, significant now that Facebook has changed how their algorithm surfaces publishers, the question remains of whether such a closed platform will grow media revenues enough to make a difference.

There are hints of what is to come:

There are ambitious plans for the product. Apple lets publishers run ads in its app and it helps some sign up new subscribers, taking a 30 percent cut of the revenue. Soon, the company aims to bundle access to dozens of magazines in its app for a flat monthly fee, sort of like Netflix for news, according to people familiar with the plans, who declined to be identified because they weren’t authorized to speak publicly. Apple also hopes to package access to a few daily-news publications, like The Times, The Post and The Wall Street Journal, into the app, the people said.

Perhaps this is all related to the press event Apple is hosting in Brooklyn next week?

Tags: Apple   journalism

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Heather Havrilesky teaches us many lessons via the music of Yes

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I think we can all agree that Heather Havrilesky is brilliant as Ask Polly, but I’d like to point your attention to her analysis of a prog rock masterpiece.

Today, as an exercise, we’re going to watch this ancient reel of Yes in concert from 1975. Because this is something as far outside of you surrounded by you as it could possibly be. I don’t expect you to enjoy this. Listening will feel like work. That’s the point!

(Whatever you do, do NOT skip to 4:40. Heed the wisdom of Polly.)

She digs in:

Where do we even begin, right? Who starts a song with a four-minute long guitar solo, first of all? And look at that stage design. Is this a local dinner-theater production of Shrek: The Musical! or a major rock tour attended by a massive crowd? Take in the shiny satin prom-dress shirt on guitarist Steve Howe. Take in the notable absence of quality hair-product use. (We didn’t have quality hair products back then. You just poured something like Palmolive on your head and hoped for the best.) Take in the commitment to Peter Pan blouses and flared sleeves. Lead singer Jon Anderson was sort of a timeless hottie, though. He looks like he could be hanging out in a coffee joint in Prospect Heights, smoking weed and reading A Little Life.

I think Anderson always felt like the novice in this group. I mean, what a voice! But look at these other guys with all of their fucking instruments and alternate tunings. How much standing around like an asshole do you think Anderson had to do with these guys around? He had time to visit local gift shops and browse for new super-tight chokers and Robin Hood blouses in between his brief bouts of singing.

She continues:

Now, lyrically, we’ve got journeys and voids and seasons passing you by. There’s a real hobbit energy to Yes. If Zeppelin is like Sauron, Yes is the original hobbit, Bilbo Baggins: humble and connected to the rhythms of the seasons, attached to the comforts of daily life. Hobbits farm the land and sweat and toil, and then they drink a giant pint of beer after a long day’s work. It’s not that they can’t be a little neurotic or a little greedy. They are highly suggestible creatures. But as long as they are, you know, sticking their gross, hairy feet in the mud of the Shire …

And further:

Okay, now let’s skip to 11:44. “Two million people barely satisfied.” This feels like a tribute to the slog. There is suffering in the day-to-day. What do you do? You get up, you get down. Sure, most Yes lyrics are refrigerator-magnet mumbo jumbo of the highest order. But there are loose themes here: We’re connected to nature, to the seasons, and to each other. You can’t resist the bad weather; you can’t turn your back on how connected you are to everything and everyone else, because it’ll make you crazy. We all feel the shame of being regular, flawed humans. We are all BARELY satisfied, dig?

It gets SO much better, so I’ll leave you here to go on the journey of experiencing this classic Ask Polly column in its entirety at your own pace. YMMV, but I find it works just as well read by yourself, late at night in a dark kitchen as it does read aloud to a full car on a family holiday road trip. Oh, and Havrilesky has a new book out, in case it spoke to you: What If This Were Enough? Good read with or without a prog rock soundtrack.

Tags: advice   Heather Havrilesky   music

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The woman who invented Abstractionism

The woman who invented Abstractionism

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The Hilma af Klint retrospective at the Guggenheim is by far the trippiest thing I’ve seen within the confines of an esteemed art institution. The show is expansive and stunning and truly transcends time (images in her paintings look like things discovered decades later, from a double helix to the 80s electronic memory game Simon). As if to prove she’s a futurist, she envisioned that her major body of work would be displayed in a spiral temple.

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Words cannot fully describe the power or style of her pieces, which are botanical, psychedelic, scientific, occult, and truly mystical. Her abstract paintings, which she started producing five years before Kandinsky or any other of the more famous men of her time created something of the sort, were channeled through her spiritualism. She was influenced by Rosicrucianism, Theosophy, and later in life, anthroposophy.

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It’s all a bit mind-bending. af Klint knew that the world was not ready for her work, so she specified it not be shown until 20 years after her death. This was likely because, at a visit to her Stockholm studio in 1908, Rudolf Steiner was “unable to decipher the paintings and claims that no one during the coming 50 years will be able to.” She died in 1944, the same year as Kandinsky and Mondrian, and it was over four decades until there was a show that included her paintings.

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From The New Yorker:

The art is fearfully esoteric. But something about it resonates with a restlessly searching mood in present culture, hostile to old ideas. Af Klint has a lot of people’s rapt attention. From what I hear, young artists of many stripes are mad for her.

Yes, people are ready for it. Never before have I witnessed so many museum-goers studying paintings so up close (see my top photo, above) and really being with the art. And I’d argue our current #MeToo era is fertile ground for retelling origin stories with more representation of women and those who were otherwise overlooked.

The endlessly inspiring Hilma af Klint: Paintings for the Future is up at the Guggenheim in New York until April 23, 2019.

n.b. You may recall that Acne Studios did a capsule collection using Hilma af Klint prints in 2014. (thx Eviana)

Tags: art   futurism   Hilma af Klint   museums

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PSA shows a woman publicly detoxing from opioids

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Since we don’t often see the treatment side of the opioid crisis, a new campaign from 72andsunny and M SS NG P ECES streamed the first three days of a woman’s detox in Astor Place. The resulting PSA, “Treatment Box,” is hard to look away from.

Tags: drugs

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A debate over eminent domain in Texas

A debate over eminent domain in Texas

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Will Texas, with five of the 15 largest cities in the U.S., have the first bullet train in the country? Curbed partnered with the Texas Tribune for a deep dive into the land rights and bureaucratic debate around the project that’s already raised $425 million. The goal is a 90-minute ride to cover the 240-miles from Dallas and Houston, and ultimately, a “super economy” created by linking half the state’s population.

At the state Capitol, the bullet train represents the collision of two things that Republicans—who control Texas government—hold dear: private property rights and an unrestrained free market. And for two legislative sessions in a row, the free market has largely come out on top. The project has emerged relatively unscathed after bills aimed at hamstringing or killing it failed to get much traction.

Tags: Texas   transportation

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On the history of lavender

On the history of lavender

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Edith’s post on the long history of lavender as a relaxant reminded me that you can now vape herbs just as you’ve always been able to smoke them.

There’s a long history of lavender being used to combat anxiety and other feelings of distress. In 1551, for instance, naturalist William Turner, in his nature guide Herball, wrote that “flowers of lavender, quilted in a cap, comfort the brain very well.” And herbalist John Parkinson, in his 1640 Theatrum Botanicum, wrote that lavender is of “especiall good use for all griefes and paines of the head and brain,” as well as for “the tremblings and passions of the heart” — and not just drunk as a tonic but “even applied to the temples, or to the nostrils to be smelt unto.”

Tags: herbs   history

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Pierre Cardin’s Le Palais Bulles

Pierre Cardin’s Le Palais Bulles

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I’ve been taking refuge from the news in music (WQXR or Spacemen 3, lately), art (more on that here soon), novels (this weekend’s perhaps ill-timed read was Naomi Alderman’s The Power), and travel fantasies. Here’s one I’ve been thinking about for months.
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Pierre Cardin’s Le Palais Bulles is not open to visitors but can be booked for events, so if anyone reading this ends up planning one there *please* do invite me. The compound, just outside of Cannes in Théoule-sur-Mer, was designed by Hungarian architect and “concepteur of bubble housing” Antti Lovag from 1975-1989.
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French designer Simon Porte Jacquemus stayed in the bubble palace over the summer and got some pretty incredible shots (his Instagram page is a nice escape in itself).
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Dezeen has a series of interior shots of the 2016 renovation.
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Tags: architecture   design

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Barbara Kruger asks

Barbara Kruger asks

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Barbara Kruger, Untitled (Questions)
(1990/2018)
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Nine big questions by Barbara Kruger are now on display at MOCA in Los Angeles until November 2020. The museum will also host voter registration events in conjunction with the installation, made possible by an anonymous donor.

It’s worth noting that MOCA is just blocks away from LA’s Skid Row, where about 2,500 people live on the street. It’ll be interesting to see who shows up for their events and how they’ll do outreach.

Tags: art   Barbara Kruger   museums

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Harvard’s Pigment Collection

Harvard’s Pigment Collection

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As the daughter of a trained art conservationist, I find this endlessly fascinating.
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Edward Forbes, the former director of Harvard’s Fogg Art Museums, amassed a collection that is essentially a library of color.

With the help of these rainbow-bright samples, scientists are able to ward off color loss. They can restore faded pieces through identifying what chemical response caused the fading in the first place. They can also reconstruct stories of paintings and people through an examination of the minerals they used to create their colors and the binding materials they sourced from nature. The color library is a working laboratory, one that traces the history of color from ancient stones to twenty-first-century nanotubes.


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The library helped with the restoration of Harvard’s faded Rothko mural, the subject of one of my favorite New Yorker essays. Here’s a list of the ten rarest pigments in the Forbes collection. Tags: art   color   Harvard   Mark Rothko   museums

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The Cloud Appreciation Society takes a field trip

The Cloud Appreciation Society takes a field trip

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Well, this sounds dreamy. The Cloud Appreciation Society (exactly what it sounds like) is hosting a gathering on the island of Lundy next spring. There are still slots available for campers.


The tiny island in the Bristol Channel off Wales, named for the Norse word for “puffin,” has a pub, a church, three lighthouses, and craggy waterfront. It sounds pretty idyllic:

In Lundy, the sea is rarely out of sight, and the views are always breathtaking. There will be plenty of time to explore the wild stretches of grassland and heath which give way to natural ponds, steep cliffs and rocky beaches. The granite crags of this dramatic landscape is the perfect frame to the drama of its skies.

The Isle of Lundy’s topography, sparse population (28 as of 2007!), and mention of puffins reminds me of Far Afield, Susana Kaysen’s witty meditation on the Faroe Islands that I read last month. Her opening chapter in the Reykjavik airport is one of the best travel scenes I’ve read in ages.



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The quotable Ursula Le Guin

The quotable Ursula Le Guin

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Brain Pickings is surfacing some gems from their archives in honor of what would have been Ursula Le Guin’s 89th birthday. The novelist, poet, and essayist died in January.
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Le Guin on conversation:

“Words are events, they do things, change things. They transform both speaker and hearer; they feed energy back and forth and amplify it. They feed understanding or emotion back and forth and amplify it.”

Le Guin on libraries:

“Knowledge sets us free, art sets us free. A great library is freedom.”

Le Guin on time (hear astrophysicist Janna Levin read the full poem):

Time is being and being time, it is all one thing, the shining, the seeing, the dark abounding.

Le Guin on loyalty:

To break a promise is to deny the reality of the past; therefore it is to deny the hope of a real future. If time and reason are functions of each other, if we are creatures of time, then we had better know it, and try to make the best of it. To act responsibly.

Le Guin on the environment:

“To use the world well, to be able to stop wasting it and our time in it, we need to relearn our being in it.”




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Jet Li Turned Down The Matrix Because He Didn’t Want CGI Versions Of His Moves

Jet Li Turned Down The Matrix Because He Didn’t Want CGI Versions Of His Moves

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In an interview with Chinese anchor Chen Luyu, actor and martial artist Jet Li revealed that he turned down the role of Seraph, guardian of the Oracle, in both sequels to The Matrix after the filmmakers made an unusual request.

“It was a commercial struggle for me,” Li said, “I realized the Americans wanted me to film for three months but be with the crew for nine. And for six months, they wanted to record and copy all my moves into a digital library.”

He added, “By the end of the recording, the right to these moves would go to them.”

Li said back then, he was already worried that future technology would allow US filmmakers to digitally reproduce his moving body and superimpose the face of any actor onto it.

“I was thinking: I’ve been training my entire life. And we martial artists could only grow older. Yet they could own [my moves] as an intellectual property forever. So I said I couldn’t do that,” Li said.

Instead, Li made Hero, which was probably the right call. Still, I wonder whether who else has been in Li’s position, and how often we’ve seen one actor’s face in pantomime over another actor’s body? Or whether requests like these helped kill the short-lived boom in big budget martial arts movies we saw in the late 1990s/early 2000s?

Tags: movies

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The Library of Congress’s Collection of Early Films

The Library of Congress’s Collection of Early Films

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National Screening Room, a project by the Library of Congress, is a collection of early films (from the late 19th to most of the 20th century), digitized by the LOC for public use and perusal. Sadly, it’s not made clear which of the films are clearly in the public domain, and so free to remix and reuse, but it’s still fun to browse the collection for a look at cultural and cinematic history.

There’s a bunch of early Thomas Edison kinetoscopes, including this kiss between actors May Irwin and John C. Rice that reportedly brought the house down in 1896:

Or these two 1906 documentaries of San Francisco, one from shortly before the earthquake, and another just after (the devastation is really remarkable, and the photography, oddly beautiful):

There’s a silent 1926 commercial for the first wave of electric refrigerators, promoted by the Electric League of Pittsburgh, promising an exhibition with free admission! (wow guys, thanks)

There’s also 33 newsreels made during the 40s and 50s by All-American News, the first newsreels aimed at a black audience. As you might guess by the name and the dates, it’s pretty rah-rah, patriotic, support-the-war-effort stuff, but also includes some slice-of-life stories and examples of economic cooperation among working-to-middle-class black families at the time.

I hope this is just the beginning, and we can get more and more of our cinematic patrimony back into the public commons where it belongs.

Tags: history   movies

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How Precision Engineering Made Modernity Possible

How Precision Engineering Made Modernity Possible

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Simon Winchester, author of The Professor and the Madman, has a new book out called The Perfectionists: How Precision Engineers Created the Modern World. It’s the history of a concept, which makes it tricky to write about, but it’s an uncommonly generative and illustrative concept. James Gleick shares this anecdote in his book review.

North Wales, “on a cool May day in 1776.” The Age of Steam was getting underway. So was the Industrial Revolution—almost but not quite the same thing. In Scotland, James Watt was designing a new engine to pump water by means of the power of steam. In England, John “Iron-Mad” Wilkinson was improving the manufacture of cannons, which were prone to exploding, with notorious consequences for the sailors manning the gun decks of the navy’s ships. Rather than casting cannons as hollow tubes, Wilkinson invented a machine that took solid blocks of iron and bored cylindrical holes into them: straight and precise, one after another, each cannon identical to the last. His boring machine, which he patented, made him a rich man.

Watt, meanwhile, had patented his steam engine, a giant machine, tall as a house, at its heart a four-foot-wide cylinder in which blasts of steam forced a piston up and down. His first engines were hugely powerful and yet frustratingly inefficient. They leaked. Steam gushed everywhere. Winchester, a master of detail, lists the ways the inventor tried to plug the gaps between cylinder and piston: rubber, linseed oil-soaked leather, paste of soaked paper and flour, corkboard shims, and half-dried horse dung—until finally John Wilkinson came along. He wanted a Watt engine to power one of his bellows. He saw the problem and had the solution ready-made. He could bore steam-engine cylinders from solid iron just as he had naval cannons, and on a larger scale. He made a massive boring tool of ultrahard iron and, with huge iron rods and iron sleighs and chains and blocks and “searing heat and grinding din,” achieved a cylinder, four feet in diameter, which as Watt later wrote “does not err the thickness of an old shilling at any part.”

By “an old shilling” he meant a tenth of an inch, which is a reminder that measurement itself—the science and the terminology—was in its infancy. An engineer today would say a tolerance of 0.1 inches.

This corresponding concept of “tolerance” turns out to be equally important. The ancient world was certainly capable of creating complex machinery (see the Antikythera Mechanism above), and the early modern period was able to put together the scientific method and new ways of conceptualizing the universe. But it’s the Industrial Revolution that created — or was created by — this notion that machines could be made in parts that fit together so closely that they could be interchangeable. That’s what got our machine age going, which in turn enabled guns and cars and transistors and computers and every other thing.

Tags: books   history

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In Praise of Oscar the Grouch

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Sesame Street puppeteer Caroll Spinney is retiring after almost 50 years, and everybody is leading with the fact that he played and voiced everybody’s favorite, Big Bird. And then, if they get a chance, they might get around to mentioning that other iconic character he gave a voice and a soul, one of my favorites, Oscar the Grouch.

Karen Zraick writes about Oscar and his origins in the New York Times:

In his book “The Wisdom of Big Bird (and the Dark Genius of Oscar the Grouch),” Mr. Spinney wrote that he based Oscar’s voice on a surly cabdriver from the Bronx who took him to a meeting.

“He was the stereotypical cabby of the time — a guy in his 40s from the Bronx wearing a tweed cap with a little brim — and he kind of growled out of the corner of his mouth, ‘Where to, Mac?’” Mr. Spinney wrote.

He had found “the ideal model” for his new character, and he marveled as the driver “went on and on, colorfully expressing his opinion of Mayor Lindsay with a lot of four-letter words.”

Travis Andrews does the same in the Washington Post:

The purpose of Oscar, according to the Smithsonian National Museum of American History’s description of the character, is to teach “the importance of understanding, tolerance, and diversity.” According to Robert W. Morrow’s book “‘Sesame Street’ and the Reform of Children’s Television,” Oscar acted differently and lived in a different kind of home as a metaphor, “to dramatize tolerance for those who are different. … In segments about conflicts between Oscar and the others on the street, the show taught how children might cope with diversity in the context of school desegregation.”

Ok, sure. Ariane Beeston at Essential Kids more thoroughly spells out Oscar’s character, and its effect and appeal:

1. It’s okay to be different;
2. One man’s trash is another grouch’s treasure;
3. Embrace who you are and be yourself;
4. Just because you’re grouchy, doesn’t mean you can’t also be kind;
5. Emotions can be confusing.

Almost everyone gives credit to Spinney for giving Oscar his emotional complexity, with a simple mandate: Oscar is always grouchy and contrarian, but Oscar is never mean or cruel. In short, Oscar always has a heart. Let’s hope Spinney’s successor can continue to thread that needle. The kids of the present and the future deserve an Oscar who can be everything that he is.

Tags: Sesame Street   TV

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The Chicago Tylenol Murders of 1982

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I don’t know how many people under the age of 35 know about the Chicago Tylenol murders, but for a few weeks in 1982, it was a national news sensation. Seven people in the Chicago area died after ingesting Tylenol capsules laced with potassium cyanide. Retro Report took a look back at this episode, with a focus on how Johnson & Johnson and other drug companies modified their packaging to prevent in-store tampering.

The company considered renaming Tylenol, a word that incorporates some of the letters from 4- (aceTYLamino) phENOL, a chemical name for acetaminophen, the drug’s active ingredient. But a name change was rejected.

Instead, a mere six weeks after the crisis flared, the company offered a different solution, a new bottle with the sorts of safety elements now familiar (if at times exasperating) to every shopper: cotton wad, foil seal, childproof cap, plastic strip. Capsules began to be replaced with caplets the following year.

Johnson & Johnson was viewed as an exemplar of corporate responsibility, and enjoyed what some people described as the greatest comeback since Lazarus. Nowadays, all sorts of products come in containers deemed tamper-proof, or at least tamper-evident, meaning that consumers can readily tell if a seal has been broken or something else is amiss.

Incredibly, the case is still unsolved…no one knows who did it or why. Thinking about the amount of in-store surveillance that we have, it seems unlikely that such a crime would go unsolved for long today.

Tags: Chicago   crime   medicine   murder   video

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The World Needs More Moral Heroism Like This

The World Needs More Moral Heroism Like This

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For the NY Times, rabbi David Wolpe writes about the moral courage of Chiune Sugihara, The Japanese Man Who Saved 6,000 Jews With His Handwriting.

In 1939 Sugihara was sent to Lithuania, where he ran the consulate. There he was soon confronted with Jews fleeing from German-occupied Poland.

Three times Sugihara cabled his embassy asking for permission to issue visas to the refugees. The cable from K. Tanaka at the foreign ministry read: “Concerning transit visas requested previously stop advise absolutely not to be issued any traveler not holding firm end visa with guaranteed departure ex japan stop no exceptions stop no further inquires expected stop.”

He wrote the visas anyway…thousands of them.

Day and night he wrote visas. He issued as many visas in a day as would normally be issued in a month. His wife, Yukiko, massaged his hands at night, aching from the constant effort. When Japan finally closed down the embassy in September 1940, he took the stationery with him and continued to write visas that had no legal standing but worked because of the seal of the government and his name. At least 6,000 visas were issued for people to travel through Japan to other destinations, and in many cases entire families traveled on a single visa. It has been estimated that over 40,000 people are alive today because of this one man.

What moral heroism. Fred Rogers often quoted his mother as saying, “Look for the helpers. You will always find people who are helping.” That message was directed at young children who he wanted to help feel secure. For us adults, Rogers might have encouraged us to exercise more moral courage and become those helpers, not just look for them. The world today could use more of that.

Tags: Chiune Sugihara   David Wolpe   Fred Rogers   Holocaust

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Stephen Hawking’s Brief Answers to the Big Questions

Stephen Hawking’s Brief Answers to the Big Questions

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Stephen Hawking passed away back in March, but left us with a final book that just came out this week: Brief Answers to the Big Questions. There are 10 questions asked and answered in the book:

Is there a God?
How did it all begin?
Can we predict the future?
What is inside a black hole?
Is there other intelligent life in the universe?
Will artificial intelligence outsmart us?
How do we shape the future?
Will we survive on Earth?
Should we colonize space?
Is time travel possible?

Here are a couple of reviews from Physics World and NPR.

Take the chapter on “Can we predict the future?”. Starting with regular astronomical events, it swiftly moves on to scientific determinism, quantum physics, hidden variables and Heisenberg’s uncertainty principle. Under the guise of a simple question, Hawking has managed to take the reader on a whistle-stop tour of the quantum world (bottom line: no we can’t predict everything). It’s a clever ruse. Ask a simple question and you’ll draw in readers who might otherwise not know they’d be interested in complex science.

P.S. The UK cover of this book is so much better than the US cover. Why?? (via open culture)

Tags: books   Brief Answers to the Big Questions   physics   science   Stephen Hawking

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Vermont Foliage 2018

Vermont Foliage 2018

12:14 Add Comment

It’s snowing right now in Vermont, but fall was extra lovely this year, so I’m sharing some foliage shots I’ve taken over the past month or so.

Vt Foliage 2018

Vt Foliage 2018

Vt Foliage 2018

Vt Foliage 2018

Vt Foliage 2018

Vt Foliage 2018

Vt Foliage 2018

Vt Foliage 2018

All photos taken with the iPhone XS. I’ve previously shared some of these on my Instagram account, where you can see, for instance, that my 11-year-old goes the extra mile to get the good photo by polishing the apples on the orchard tree.

Tags: Jason Kottke   photography   Vermont

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How Do You Help a Grieving Friend?

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One answer to the question of “How do I help a grieving friend?” is to acknowledge their circumstances…to “join them in their pain” instead of trying to take it away from them. As Megan Devine says in this video:

Cheering people up, telling them to be strong and persevere, helping them move on…it doesn’t actually work. It’s kind of a puzzle. It seems counterintuitive, but the way to help someone feel better is to let them be in pain.

One of the odd things about getting older (and hopefully wiser) is that you stop chuckling at cliches and start to acknowledge their deep truths. A recent example of this for me is “the only way out is through”. As Devine notes, in this video and her book It’s OK That You’re Not OK, there’s no shortcut for dealing with pain…you have to go through it to move past it.

In a new TED podcast, writer Elizabeth Gilbert talked about the grief she felt when her partner and longtime best friend Rayya Elias was diagnosed with and died from cancer.

Grief… happens upon you, it’s bigger than you. There is a humility that you have to step into, where you surrender to being moved through the landscape of grief by grief itself. And it has its own timeframe, it has its own itinerary with you, it has its own power over you, and it will come when it comes. And when it comes, it’s a bow-down. It’s a carve-out. And it comes when it wants to, and it carves you out — it comes in the middle of the night, comes in the middle of the day, comes in the middle of a meeting, comes in the middle of a meal. It arrives — it’s this tremendously forceful arrival and it cannot be resisted without you suffering more… The posture that you take is you hit your knees in absolute humility and you let it rock you until it is done with you. And it will be done with you, eventually. And when it is done, it will leave. But to stiffen, to resist, and to fight it is to hurt yourself.

The only way out is through.

Tags: books   Elizabeth Gilbert   It’s OK That You’re Not OK   Megan Devine   video

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