The Guardian got a bunch of writers and performers — folks like Olivia Colman, Roxane Gay, Nigella Lawson, and Victoria Beckham — to ask the delightful Phoebe Waller-Bridge a bunch of questions and the whole thing is delightful because she is, as I said earlier, delightful.
Lucy Prebble, playwright: How many really good works do you think a writer has in them?
PWB: I’m going to say infinite for the sake of my own professional optimism, but I don’t think there’s a rule. I do think there are only so many things you can pull out of the bones of you … and they are usually the good ones. I don’t have a number for you. Fuck it, six.
Jack Thorne, playwright: Did you ever consider an ending where the Priest — I refuse to call him Hot Priest — said yes?
PWB: May I clarify that I never scripted him as Hot Priest! That was the good work of the internet meeting Andrew Scott’s impossibly intense charisma. There was an idea for an alternative ending, but I’ll never say what it was…
Tags: interviews Phoebe Waller-BridgeAnne Enright, novelist: Is it better to be fucked up by religion than by life? And why is damage so sexy?
PWB: If I was going to choose, I’d rather be fucked up by religion. At least that is something I could feasibly escape and still be breathing.
Damage is indicative of vulnerability, which I think always feels a little dangerous. It is evidence that a person can feel deeply, that they can be open … then that delicious wall goes up and we just want to scramble over it and save (and feel) the person. It’s irresistible. I also think damage is a glimpse of something honest, and that’s always attractive.
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