Space is mostly just what it says on the tin: empty space. The solar system is no exception; it’s a massive volume occupied by little more than the Sun’s mass — the mass of all the planets, moons, comets, asteroids, space dust, and stray electrons are just a bit more than a rounding error. But oh what mass it is when you get up close to it.
The NASA space probe Cassini, on its seven-year journey to Saturn, cozied up to Jupiter in December 2000 and captured a succession of images of Io and Europa passing over the Great Red Spot during the moons’ orbit of the gas giant planet. Kevin Gill turned those images into the incredible video embedded above. That we have such crisp, smooth video of two small moons orbiting a planet some 444 million miles away from Earth is something of a miracle — it looks totally rendered. Also in the video is footage of Titan orbiting Saturn — that horizontal line bisecting the frame is Saturn’s rings, edge-on.
A really entertaining and interesting piece by Claire Evans about Susan Thunder (aka Susan Thunder aka Susan Headley), a pioneering phone phreaker and computer hacker who ran with the likes of Kevin Mitnick and then just quietly disappeared.
She was known, back then, as Susan Thunder. For someone in the business of deception, she stood out: she was unusually tall, wide-hipped, with a mane of light blonde hair and a wardrobe of jackets embroidered with band logos, spoils from an adolescence spent as an infamous rock groupie. Her backstage conquests had given her a taste for quaaludes and pharmaceutical-grade cocaine; they’d also given her the ability to sneak in anywhere.
Susan found her way into the hacker underground through the phone network. In the late 1970s, Los Angeles was a hotbed of telephone culture: you could dial-a-joke, dial-a-horoscope, even dial-a-prayer. Susan spent most of her days hanging around on 24-hour conference lines, socializing with obsessives with code names like Dan Dual Phase and Regina Watts Towers. Some called themselves phone phreakers and studied the Bell network inside out; like Susan’s groupie friends, they knew how to find all the back doors.
When the phone system went electric, the LA phreakers studied its interlinked networks with equal interest, meeting occasionally at a Shakey’s Pizza parlor in Hollywood to share what they’d learned: ways to skim free long-distance calls, void bills, and spy on one another. Eventually, some of them began to think of themselves as computer phreakers, and then hackers, as they graduated from the tables at Shakey’s to dedicated bulletin board systems, or BBSes.
Susan followed suit. Her specialty was social engineering. She was a master at manipulating people, and she wasn’t above using seduction to gain access to unauthorized information. Over the phone, she could convince anyone of anything. Her voice honey-sweet, she’d pose as a telephone operator, a clerk, or an overworked secretary: I’m sorry, my boss needs to change his password, can you help me out?
On first viewing, it’s easy to perceive these interactions as a form of genuine companionship — an impression encouraged by lingering close-ups and swelling music. The apparent emotional connection between Foster and the octopus is precisely the aspect of the film that provoked such a strong response from audiences and critics. Upon further reflection, however, the true nature of their relationship becomes more ambiguous. Only one member of the pair speaks directly to the camera. Any conclusions about the octopus’s subjective experience are based entirely on interpretations of her often-enigmatic behavior. Maybe what looks to us like tenderness is mere curiosity or bemusement. Perhaps an ostensible embrace is actually a deflection. No doubt some people are extremely fond of octopuses, but can an octopus really be friends with a human?
In a recent piece for The Guardian, Dave Eggers observes that we now have actual jetpacks that actually fly, an invention that was supposed to alert humanity that The Future had finally arrived,1 and no one really cares too much about them.
We have jetpacks and we do not care. An Australian named David Mayman has invented a functioning jetpack and has flown it all over the world — once in the shadow of the Statue of Liberty — yet few people know his name. His jetpacks can be bought but no one is clamouring for one. For decades, humans have said they want jetpacks, and for thousands of years we have said we want to fly, but do we really? Look up. The sky is empty.
Eggers, an avid flyer but not pilot, decided to take a jetpack flying lesson, just to see what none of the fuss is about.
When he returns and begins pouring the fuel into the jetpack, only then does it register just how dicey this seems, and why jetpacks have been slow to be developed and adopted. Though every day we fill our cars’ tanks with highly flammable gasoline, there is — or we pretend there is — a comfortable distance between our frail flesh and this explosive fuel. But carrying this fuel on your back, in a glorified backpack of tubes and turbines, brings the reality of the internal combustion engine home. Just watching the kerosene getting poured into the pack, inches from Wesson’s face, is unsettling.
And then there’s the noise:
Jarry asks if I’m ready. I tell him I’m ready. The jets ignite. The sound is like a category 5 hurricane passing through a drainpipe. Jarry turns an invisible throttle, and I mimic his movements with the real throttle. The sound grows louder. He turns his invisible throttle more, and I turn mine. Now the sound hits a fever pitch, and I feel the thrust down the back of my calves. I step ever so slightly forward, and lock my legs together. (This is why jetpack wearers have their legs stiff like toy soldiers - any deviation is quickly punished by 800-degree jet exhaust.) Jarry mimes more throttle, I give it more throttle, and slowly I leave the earth. It is nothing like weightlessness. Instead, I feel my every pound, feel just how much thrust it takes to get me and this machine to levitate.
Jarry tells me to go higher. One foot, then two, then three. As the jets howl and the kerosene burns, I hover, thinking that this is an astounding amount of noise and trouble to float 36in off the ground. Unlike the purest kinds of flight, which harness wind and master soaring, this is just brute force. This is busting through space with heat and noise. And it’s really difficult, too.
I have had one of these t-shirts in my rotation for more than 20 years now: “they lied to us / this was supposed to be the future / where is my jetpack, where is my robotic companion, where is my dinner in pill form, where is my hydrogen fueled automobile, where is my nuclear-powered levitating house, where is my cure for this disease”.↩
A partnership of three institutions — the Philadelphia Museum of Art, the Association Marcel Duchamp, and the Centre Pompidou — has just launched the Marcel Duchamp Research Portal, which houses almost 50,000 images and 13,000 documents related to the life and work of Marcel Duchamp.
1. “You gotta say your affirmations in your mouth and your heart. You say, ‘I am brave of this meeting!’ , ‘I am loved!’, ‘I smell good!’ And you can say five or three or ten until you know it.”
2. “You gotta walk big. You gotta mean it. Like Dolly on a dinosaur. Because you got it.”
And my absolute favorite:
4. “Think about the donuts of your day! Even if you cry a little, you can think about potato chips!”
Five-year-old or not, this is some of the best actionable advice I’ve ever heard.
Bob Wachter is the chair of the Department of Medicine at the USCF medical center and last week he posted a pair of threads about what the Covid rates might look like in a month and how we might behave if that comes to pass (and if we don’t get another variant mucking things up). I’m going to quote extensively from Wachter’s threads because I think they contain some things that people need to hear right now.
In the first thread, he explains why an individual’s risk of catching Covid will likely be quite low a month from now:
The virus is the same, your immunity is the same, the chances of getting infected from a given encounter much the same. Yet I predict that I — and most of us — who are trying our best to dodge Omicron now will be more “open” next month. Does that make sense?
Yes! It’s all about community prevalence — basically the chances that the person next to you at the restaurant, the movie, or the store is infectious w/ Covid. It they’re not, your encounter is 100% safe. If they are, your encounter is as risky as it is today.
Today, near the Omicron peak, the odds an asymptomatic person has Covid is ~10% in most of U.S. At 10% prevalence, when you enter a room w/ 20 people, there’s an 88% chance that one of them has Covid. Do that enough times without masks and you’re going to get infected.
In a month — if cases fall to prior non-surge #’s — the prevalence among asymptomatic people may be more like 0.2% — even in less vaxxed regions, which’ll have more people whose immunity came from infection. (They should still get vaxxed for better & longer protection.)
0.2% means that the odds of an asymptomatic person having Covid=1-in-500. That room of 20 people: now a 4% chance (1-in-25) that someone’s infected. Not zero — you’ll still want to be careful if you’re at very high risk. But for most, % is low enough to feel pretty safe.
And because overall rates would be much lower, the chances of survival for those who do get Covid will increase because hospitals won’t be overwhelmed, testing will be more available, and antiviral medicines will be more available. Caveats:
Yes, the specter of Long Covid (for some, mild; others disabling) continues — maybe a ~5% chance in a vaxxed person. Some will look at those odds as being concerning enough that they’ll continue to act very cautiously. I probably won’t, but it’s an understandable choice.
And others who have lots of contact w/ very vulnerable people — unvaxxed who didn’t get Omicron, for example, or immunosuppressed - may also make different choices. That’s entirely reasonable.
And there’s also this…he’s fairly confident rates will be low this spring but perhaps not later in the year (because under-vaccinated people’s immunity from catching Omicron in the past 2 months will have waned):
As for me, this is why the community prevalence (cases, test pos %) will dominate my decisions. If they don’t plummet, I’ll keep my guard up until they do. And while I’m reasonably confident about the Spring, my confidence level falls as we move to later in the year.
In the second thread, Wachter talks about how we’ll know when the risk is low and shares how his behavior will change once that happens:
Add it all up & it’s clear that this Spring — w/ a milder virus & nearly 100% population immunity — may be about as safe as it gets… perhaps for many years. Thus I see this Spring as a time when everyone (especially those who have been extra careful for two years) needs to figure out how to navigate a far less risky landscape. (Cue the usual caveat: a new variant could easily screw things up, yet again.)
The bottom line is this: in a few weeks — when this surge ends — things are going to be as good as they’re likely to get for the foreseeable future.
Here’s how he’s going to know when his personal risk level is low enough to do some things differently:
What will my trigger be for switching to less cautious mode? It’s a bit arbitrary - there’s no bright line separating “too risky” & “not risky.” This means that others may come up w/ different thresholds.
Mine will be case rates <10/100K/day (recognizing that reported cases now underestimate case #’s due to home testing). I’d also like to see test positivity rates of <1%. (The math: when we reach a 1% overall rate in SF, that would translate to a ~0.5% asymptomatic positivity rate; or 1/200 asymptomatic people having Covid. At that prevalence, in a room of 15 folks, there’s a 7% chance that at least 1 has Covid.)
So what does that mean in terms of shifting behavior? Here’s Wachter’s personal plan w/ his acceptable level of risk:
The main questions center on indoor spaces crowded with unmasked people of uncertain vaccination status. Small indoor groups, visiting friends & family, indoor dining: all fine, without masks.
If I had school-aged kids who were fully vaccinated, I’d be comfortable without masks in school, particularly if there were a school-wide vaccine requirement and good ventilation.
My practice will be to always carry a KN95, and to don it in very crowded, poorly ventilated spaces with lots of unmasked people, particularly in parts of the U.S. or world with low vax or high case rates. I can’t tell you how crowded or how poorly ventilated, any more than I can say how likely rain needs to be in forecast before I grab an umbrella. I’ll just trust my Spidey Sense: how long I’ll be in space, how awkward wearing a mask will be, whether folks are speaking, yelling, singing, or just standing around. Does it feel scary?
At least at first, I’ll still mask on public transit (trains, planes) & shopping — crowded public spaces w/ lots of unmasked people. Once masks are no longer mandated, I don’t think I’ll mask at the hospital unless I’m seeing a patient with respiratory symptoms.
Boththreads are worth a careful read to catch all the caveats and to get a full picture of his reasoning regarding risk and behavior. Hopefully reading them will give you a similar sense of empowerment and hope that they gave me.
I am sorry for posting this nightmare fuel first thing in the morning, but there’s something about the aesthetics of these crying dolls that is really compelling/disturbing. I am far enough removed from my kids being infants that looking at these doesn’t give me an instant stress response, but 10 years ago this probably would have had my heart racing. (via @john_overholt)
I mean, I would go to town on some Orb Crumpets. And don’t these sound delicious?!
Original Cool Ranch Cheese and Dried Cranberry Oatmeal — all the wholesome, cheesy oatmeal with a choice of mild, sweet or salty!
Ingredis Fiberwaste Cream Cheese Cheerios — kids grab a box and put them in their mouths, making fun flavors taste even better !!! !!! !!! !!!
Fibrewaste is probably an element in many American grocery items, so kudos for this brave truth in advertising on the part of our robot friend. (via waxy)
The Wageningen University & Research houses a collection of almost 1200 drawings of the root systems of trees, grasses, crops, shrubs, weeds, flowers, and other plants. These drawings were done of plants in Europe, mostly in Austria, over a period of 40 years and are a wonderful combination of scientifically valuable and aesthetically pleasing.
Ahh, the 80s — when children were given much more freedom than today, an autonomy that two Irish boys used in 1985 to travel from their house in a Dublin suburb all the way to New York City — via two trains, a ferry, and then stowing away on a JFK-bound 747, with nothing more than a few coins in their pockets.
When the boys arrived at John F. Kennedy International Airport, in New York, they tried to bypass a security checkpoint with a sly bit of street smarts, saying to the officer, “Our ma’s just behind us.” It aroused suspicion, but the pair ran when the airport official turned his head away. They then spent a few hours in the airport before wandering outside, astounded by yellow cabs and lofty skyscrapers. A policeman, Kenneth White, stopped them and asked where they were headed. After they lied to White about how they were meeting their mother at the center of town, White pressed further, and Byrne and Murray admitted that they were alone. White radioed for a supervisor, and Sergeant Carl Harrison came to assist him. After more questioning, the two boys were placed in the back of an N.Y.P.D. car and driven to a precinct, where they were held in a room for several hours — they eventually confessed what they had done. After calling other overseas jurisdictions and the boys’ parents, the police officers fed the boys chips and soda, and unloaded their own guns and let the boys play with the firearms. Air India put Byrne and Murray up in a gigantic suite at a five-star hotel and plied them with McDonald’s and movies. “I was never in a hotel before, so it was brilliant,” Murray says. The next day, the security guards who were tasked with supervising the boys asked them why they had come. Byrne and Murray told the officials that they wanted to meet the character B. A. Baracus from “The A-Team.” The guards then brought the boys on sightseeing tours throughout the boroughs, gave them some cash, and bought them “I Love New York” T-shirts.
What a story! It’s wonderful to hear the two men talk about their now long-ago adventures with a mischievous twinkle in their eye — and the old footage of Dublin, Heathrow, and NYC is a great accompaniment.
In this short film, a man stuck in a 24-hour time loop enlists his firefighter brother to stop a fire that will cause many deaths. But their efforts repeatedly fail to change the ultimate outcome of the day and they’re left with what really mattered all along.
Back in March 2021, I wrote about cascatelli, the new pasta shape invented by Dan Pashman. Eater recently visited the Sfoglini factory to see how cascatelli (and all of their other pastas) are made. Interesting tidbit from the video: Sfoglini originally thought they would sell 5000 boxes and be done, but cascatelli is now the company’s third-best-selling pasta with no signs of slowing down. (thx, david)
For The Believer, Sarah K. Kramer wrote about a typeface called Jim Crow, how it came to be called that (its original name was Gothic Shade), and what its casual use by designers for decades means.
One of Seals’ pet peeves is “stereo-typography” — things like east Asian restaurants with brush-script logos — and in particular, he takes issue with the way designers often use “black weight” (very thick and bold) font to signify African American culture. For example, the Neuland typeface (designed in 1923 by Rudolf Koch) has been used on many covers of books by Black writers, like Richard Wright’s Native Son. One theory on the origin of the association of these black-weight fonts with Black culture is that they evoke woodblock typefaces printed on nineteenth century tobacco ephemera — an industry closely linked with slavery. Needless to say, much of this material featured racist imagery of African Americans. When Seals was contracted by HarperCollins to design a cover for Charles Blow’s The Devil You Know: A Black Power Manifesto, he definitely was not going to use a “black weight” font. Instead, he designed the cover with Ruby.
Ruby is a reworked version of Jim Crow from Tré Seals’ type foundry Vocal Type Co, which I covered here a few years ago. (thx, reed)
For The Atlantic, Ed Yong writes about an idea that has gained a certain amount of traction in recent weeks as hospital systems have been overwhelmed by the Omicron surge: medical care for unvaccinated people should be limited. Yong says that’s a very bad idea:
I ran this argument past several ethicists, clinicians, and public-health practitioners. Many of them sympathized with the exasperation and fear behind the sentiment. But all of them said that it was an awful idea — unethical, impractical, and founded on a shallow understanding of why some people remain unvaccinated.
“It’s an understandable response out of frustration and anger, and it is completely contrary to the tenets of medical ethics, which have stood pretty firm since the Second World War,” Matt Wynia, a doctor and ethicist at the University of Colorado, told me. “We don’t use the medical-care system as a way of meting out justice. We don’t use it to punish people for their social choices.” The matter “is pretty cut-and-dry,” Sara Murray, a hospitalist at UC San Francisco, added. “We have an ethical obligation to provide care for people regardless of the choices they made, and that stands true for our unvaccinated patients.”
Unvaccinated people are unvaccinated for a wide variety of reasons, many of them structural constraints beyond their control. Yong connects the care of the unvaccinated to the difficulty in receiving quality care already faced by women, Black people, and disabled people:
As health-care workers become more exhausted, demoralized, and furious, they might also unconsciously put less effort into treating unvaccinated patients. After all, implicit biases mean that many groups of people already receive poorer care despite the ethical principles that medicine is meant to uphold. Complex illnesses that disproportionately affect women, such as myalgic encephalomyelitis, dysautonomia, and now long COVID, are often dismissed because of stereotypes of women as hysterical and overly emotional. Black people are undertreated for pain because of persistent racist beliefs that they are less sensitive to it or have thicker skin. Disabled people often receive worse care because of ingrained beliefs that their lives are less meaningful. These biases exist-but they should be resisted. “Stigma and discrimination as a prism for allocating health-care services is already embedded in our society,” Goldberg told me. “The last thing we should do is to celebrate it.”
That is a compelling argument and provides a necessary dose of empathy for those of us who might feel betrayed by people who are unvaccinated at this point in the pandemic. Blaming individuals for these collective responsibilities and failures is of a kind with asserting that mask-wearing and vaccination are solely personal choices rather than necessary collective actions to be undertaken by communities to keep people safer. This is the same sort of individualist thinking that has people focused on their personal “carbon footprint” instead of what massive corporations, high-emissions industries, and governments should be doing to address the climate crisis.
After losing four years of progress on a novel, Lasley’s work on Sea State began when she visited Aberdeen, Scotland to research what life is like for oil rig workers, saying she “wanted to see what men were like with no women around”. And then, more or less immediately, she started a relationship with one of her (married) subjects.
Lasley’s first interviewee is an offshore worker from Teesside, an area that was once a hub of steel and chemical manufacturing. Caden has clear blue eyes, a jockey’s body, and tattoos of the names of his wife and twin daughters. He likes the gym, ironing, the autobiographies of Mafia dons, and bio-pics about soccer hooligans. Lasley spots him at an airport, where his kit bag — a kind of waterproof duffel, designed in accordance with helicopter requirements — gives him away. She approaches him, explains her project, and asks for his contact details. Caden demurs, but gives her number to a friend, who invites her to a pub with a group of fellow-riggers. Afterward, Lasley invites Caden to her hotel. Within weeks, he’s skiving off family life to sleep with Lasley in airport hotel rooms, laying the blame on the state of the sea — too rough for the chopper to take off — for not being able to make it home.
Now involved and “around”, Lasley turned the book into a hybrid: personal memoir + a class-oriented look at the concentrated masculinity of life aboard oil rigs. And somehow, according to the reviews, this actually works. Fascinating!
From the big city we moved our studio near the mountain Kosmaj where we started with the production of paintings. We throw plastic bags out of everyday life and instead of them we made our canvas bags that still serve us today. We establish our own small garden, and started producing our natural non-hybrid food. We started composting organic food residues which we will use later as a soil that is rich in ingredients that will help other plants during growth. We meet new people and come to incredible information and knowledge. There will be more about that and other topics on our blog. When we harvested our first fruits after two months, there was no end to our happiness. For a moment we went back to our childhood, we remembered growing up, beautiful moments, and we had the privilege of feeling like a kids again.
With the pleasure of contact with plants, we discovered that we love hiking, but not for the reason of conquering the peaks, they are free and there is nothing to conquer. They can teach us that what we see there should be respected. All the paintings we create are created on those places. Each tour on new mountain, or visiting new environment, becomes material that will later serve us in the studio as a sketch for a new painting. We have found a way to bring the nature to a home or gallery and hang it on the wall to serve as a reminder that we need to think more about how our modern lifestyle affects the environment.
It’s been awhile since we’ve checked in on the Kottke Ride Home podcast here, so let’s see what host Jackson Bird has been talking about on the show lately. (If you’re just joining us, KRH is a daily podcast that promises “in just 15 minutes, the coolest stuff that happened in the world today”. Subscribe here!)
From today’s episode, we learn that shortages of various kinds (lumber, food) are still happening in America. The lumber shortage is a climate change story:
The week of Thanksgiving, British Columbia had an atmospheric river. Typically it’s snow. But they had counter-seasonal, torrential rain in Vancouver and up into the lumber-producing region. And when you have fires, you don’t have soil control, so now you have erosion-and when it rains, you have mudslides and floods.
And that is what started the second lumber rally. I think the second lumber rally was inevitable, but this started it early. You could pinpoint the bottom and the reversal in price to the pictures and the headlines of the flood. It destroyed not the trees, not the sawmill operations, but the infrastructure to get the lumber to market.
Deliberate ignorance is not rare. It’s an often reached for mental tool that pervades much of our lives, even outside of extreme wartime situations. It even has many benefits: It effectively helps regulate emotions by warding off negative ones and prolonging positive ones. It’s a way to maintain our beliefs about ourselves and others, it can be a mechanism for fairness or to remove bias, or a way to avoid overwhelm when bombarded with information.
King wrote Scott a letter to thank her for the book and included his response to Bellamy’s utopian vision. “I imagine you already know that I am much more socialistic in my economic theory than capitalistic. … Today capitalism has outlived its usefulness. It has brought about a system that takes necessities from the masses to give luxuries to the classes.” He finished his letter, “Let us continue to hope, work, and pray that in the future we will live to see a warless world, a better distribution of wealth, and a brotherhood that transcends race or color.” This utopian socialist vision of full equality, embraced by both Scott and King, was central to the campaigns they launched in the next decades.
Artist Paul Edlin used tiny fragments of postage stamps to create these beautiful abstract collages. Here’s closeup of the top image where you can see the fragments more clearly:
Artist Paul Edlin used tiny fragments of postage stamps to create these beautiful abstract collages. Here’s closeup of the top image where you can see the fragments more clearly:
Artist Paul Edlin used tiny fragments of postage stamps to create these beautiful abstract collages. Here’s closeup of the top image where you can see the fragments more clearly:
Artist Paul Edlin used tiny fragments of postage stamps to create these beautiful abstract collages. Here’s closeup of the top image where you can see the fragments more clearly:
“Recent” is increasingly becoming a lie with these media diet posts…the last one I did was back on Sept 13, right before my life went to hell in a handcart for a couple of months.1 So let’s get to it: a list of short reviews of all the movies, books, music, TV shows, podcasts, and other things I’ve enjoyed (or not) in the last few months of 2021 (as well as a few 2022 items). As usual, don’t pay too much attention to the letter grades — they are subjective and inconsistent. Oh and some of this stuff might have already popped up in my end-of-2021 review, but I’ll try and say something different about them here.
The Great British Baking Show. I already covered this in the last media diet (and the year-end review), but I wanted to include it here as well because it’s become a real favorite. Rahul 4eva! (A)
Project Hail Mary. After my whole family read this and couldn’t stop talking about it, I had to read it too. And……it was alright. I guess I don’t quite get the acclaim for this book — reminded me of a sci-fi Da Vinci Code. Looking forward to the movie being better. (B)
The French Dispatch. Maybe my favorite Wes Anderson movie since The Royal Tenenbaums? (A)
The Hunger Games. I watched all four movies in this series because I needed something familiar and also mindless to switch my brain off. (B+)
Ted Lasso (season two). Not quite as good as the first season and definitely not as beloved because they had some new ground to cover, but I enjoyed the season as a whole. And put me down as a fan of the Coach Beard Rumspringa episode. (A-)
Izakaya Minato. I don’t exactly know what it was about this meal, but I’m still thinking about it more than 3 months later. Really fresh, clean, creative food. (A)
Magnus on Water. Amazing cocktails, great service, and the outdoor seating area was just right. (A-)
The Lost Daughter. Gah, so good! Olivia Colman, Dakota Johnson, and Jessie Buckley are all fantastic and the direction and cinematography (all those tight, almost suffocating shots) were just great. Gonna be thinking about this one for awhile. (A+)
Therapy. I’ve got more to say about this at some point, but I’ve been seeing a therapist since September and it’s been really helpful. (A)
Dune. Felt good to see a serious blockbuster in the theater again. And to be able to rewatch it on HBO Max a couple of weeks later. (A-)
Ravine. I’ve only played this a couple of times with the kids, but it got high marks all around for fun and quick rounds. (B+)
The Power of the Dog. A slow burn with a great payoff. Wonderful cast & direction. (A)
No One Is Talking About This by Patricia Lockwood. I loved the first half of this book — lots of pithy observations about social media. (B+)
Don’t Look Up. Everyone is comparing this to Dr Strangelove and while it’s not quite on that level, it certainly does some of the same things for climate change that DS did for nuclear war. (A)
When We Cease to Understand the World by Benjamin Labatut. A super interesting mix of historical fact and narrative fiction about the swift technological changes that took place in the early 20th century that altered history in small and large ways. (A-)
Wingspan. Bought this game after reading Dan Kois’ review and our family has been enjoying it. (B+)
Pirates of the Caribbean. Still fun. I remember being very skeptical before seeing this for the first time back when it came out, but as soon as Jack Sparrow stepped off his sinking ship right onto the dock, I knew it was going to be good. (A-)
Clear and Present Danger. I don’t actually remember watching much of this…must have switched off my brain too much. (-)
Spies in Disguise. I read the plot synopsis of this on Wikipedia and I still don’t remember watching any of it. I think the kids liked it? (-)
Finch. Charming but nothing much actually happens? (B)
Eternals. Now that the Infinity Saga is done, I’m not sure how much interest I’m going to have in some of these new characters & storylines. (B)
Mad Max Fury Road. Seventh rewatch? Eighth? I just plain love this movie. (A)
No Time to Die. I am not really a James Bond fan but I liked this one. (B+)
Succession (season three). This got off to a bit of a slow, meandering start, but the last few episodes were just fantastic. (A)
Omicron variant. You think you’re out but they keep pulling you back in. (F-)
Swimming with bioluminescent plankton. Thought the water was going to glow as I swam through it, but it was more like sparkly fireworks. Magical. (A)
Xolo Tacos. We stumbled in here for dinner after nothing else looked good and were rewarded with the best tacos on Holbox. The carne asada taco might be the best taco I’ve had in years and we ended up ordering a second round. (A)
Beautiful World, Where Are You by Sally Rooney. I liked this one slightly less than her first two novels. But only slightly. (A-)
Free Guy. Fun entrant into the video game movie genre. (B+)
Hacks. It was fine but ultimately didn’t understand why so many people on my timeline were raving about this. (B+)
NY Times Crossword app. I’ve never been much for crossword puzzles, but the Times app does all the fiddly work (e.g. of finding the current clue’s boxes, etc.) for me so I’ve been enjoying dipping my toe into the Monday and Tuesday puzzles. But the Minis and Spelling Bee are where it’s at for me. (B+)
Avatar: The Last Airbender. After watching The Legend of Korra, the kids and I went back to watch Avatar. The first season and a half is kinda uneven, but overall we really liked it. The beach episode has to be one of the weirdest things I’ve ever seen on television and the one where Aang is hallucinating from the lack of sleep made my kids laugh so hard I thought they were going to pass out. (A-)
The Matrix Resurrections. I am someone who didn’t dislike the second and third Matrix movies as much as everyone else seemed to, and so it is with this one as well. Wish I could have seen this in the theater, but Omicron. (A-)
“Recent” is increasingly becoming a lie with these media diet posts…the last one I did was back on Sept 13, right before my life went to hell in a handcart for a couple of months.1 So let’s get to it: a list of short reviews of all the movies, books, music, TV shows, podcasts, and other things I’ve enjoyed (or not) in the last few months of 2021 (as well as a few 2022 items). As usual, don’t pay too much attention to the letter grades — they are subjective and inconsistent. Oh and some of this stuff might have already popped up in my end-of-2021 review, but I’ll try and say something different about them here.
The Great British Baking Show. I already covered this in the last media diet (and the year-end review), but I wanted to include it here as well because it’s become a real favorite. Rahul 4eva! (A)
Project Hail Mary. After my whole family read this and couldn’t stop talking about it, I had to read it too. And……it was alright. I guess I don’t quite get the acclaim for this book — reminded me of a sci-fi Da Vinci Code. Looking forward to the movie being better. (B)
The French Dispatch. Maybe my favorite Wes Anderson movie since The Royal Tenenbaums? (A)
The Hunger Games. I watched all four movies in this series because I needed something familiar and also mindless to switch my brain off. (B+)
Ted Lasso (season two). Not quite as good as the first season and definitely not as beloved because they had some new ground to cover, but I enjoyed the season as a whole. And put me down as a fan of the Coach Beard Rumspringa episode. (A-)
Izakaya Minato. I don’t exactly know what it was about this meal, but I’m still thinking about it more than 3 months later. Really fresh, clean, creative food. (A)
Magnus on Water. Amazing cocktails, great service, and the outdoor seating area was just right. (A-)
The Lost Daughter. Gah, so good! Olivia Colman, Dakota Johnson, and Jessie Buckley are all fantastic and the direction and cinematography (all those tight, almost suffocating shots) were just great. Gonna be thinking about this one for awhile. (A+)
Therapy. I’ve got more to say about this at some point, but I’ve been seeing a therapist since September and it’s been really helpful. (A)
Dune. Felt good to see a serious blockbuster in the theater again. And to be able to rewatch it on HBO Max a couple of weeks later. (A-)
Ravine. I’ve only played this a couple of times with the kids, but it got high marks all around for fun and quick rounds. (B+)
The Power of the Dog. A slow burn with a great payoff. Wonderful cast & direction. (A)
No One Is Talking About This by Patricia Lockwood. I loved the first half of this book — lots of pithy observations about social media. (B+)
Don’t Look Up. Everyone is comparing this to Dr Strangelove and while it’s not quite on that level, it certainly does some of the same things for climate change that DS did for nuclear war. (A)
When We Cease to Understand the World by Benjamin Labatut. A super interesting mix of historical fact and narrative fiction about the swift technological changes that took place in the early 20th century that altered history in small and large ways. (A-)
Wingspan. Bought this game after reading Dan Kois’ review and our family has been enjoying it. (B+)
Pirates of the Caribbean. Still fun. I remember being very skeptical before seeing this for the first time back when it came out, but as soon as Jack Sparrow stepped off his sinking ship right onto the dock, I knew it was going to be good. (A-)
Clear and Present Danger. I don’t actually remember watching much of this…must have switched off my brain too much. (-)
Spies in Disguise. I read the plot synopsis of this on Wikipedia and I still don’t remember watching any of it. I think the kids liked it? (-)
Finch. Charming but nothing much actually happens? (B)
Eternals. Now that the Infinity Saga is done, I’m not sure how much interest I’m going to have in some of these new characters & storylines. (B)
Mad Max Fury Road. Seventh rewatch? Eighth? I just plain love this movie. (A)
No Time to Die. I am not really a James Bond fan but I liked this one. (B+)
Succession (season three). This got off to a bit of a slow, meandering start, but the last few episodes were just fantastic. (A)
Omicron variant. You think you’re out but they keep pulling you back in. (F-)
Swimming with bioluminescent plankton. Thought the water was going to glow as I swam through it, but it was more like sparkly fireworks. Magical. (A)
Xolo Tacos. We stumbled in here for dinner after nothing else looked good and were rewarded with the best tacos on Holbox. The carne asada taco might be the best taco I’ve had in years and we ended up ordering a second round. (A)
Beautiful World, Where Are You by Sally Rooney. I liked this one slightly less than her first two novels. But only slightly. (A-)
Free Guy. Fun entrant into the video game movie genre. (B+)
Hacks. It was fine but ultimately didn’t understand why so many people on my timeline were raving about this. (B+)
NY Times Crossword app. I’ve never been much for crossword puzzles, but the Times app does all the fiddly work (e.g. of finding the current clue’s boxes, etc.) for me so I’ve been enjoying dipping my toe into the Monday and Tuesday puzzles. But the Minis and Spelling Bee are where it’s at for me. (B+)
Avatar: The Last Airbender. After watching The Legend of Korra, the kids and I went back to watch Avatar. The first season and a half is kinda uneven, but overall we really liked it. The beach episode has to be one of the weirdest things I’ve ever seen on television and the one where Aang is hallucinating from the lack of sleep made my kids laugh so hard I thought they were going to pass out. (A-)
The Matrix Resurrections. I am someone who didn’t dislike the second and third Matrix movies as much as everyone else seemed to, and so it is with this one as well. Wish I could have seen this in the theater, but Omicron. (A-)
“Recent” is increasingly becoming a lie with these media diet posts…the last one I did was back on Sept 13, right before my life went to hell in a handcart for a couple of months.1 So let’s get to it: a list of short reviews of all the movies, books, music, TV shows, podcasts, and other things I’ve enjoyed (or not) in the last few months of 2021 (as well as a few 2022 items). As usual, don’t pay too much attention to the letter grades — they are subjective and inconsistent. Oh and some of this stuff might have already popped up in my end-of-2021 review, but I’ll try and say something different about them here.
The Great British Baking Show. I already covered this in the last media diet (and the year-end review), but I wanted to include it here as well because it’s become a real favorite. Rahul 4eva! (A)
Project Hail Mary. After my whole family read this and couldn’t stop talking about it, I had to read it too. And……it was alright. I guess I don’t quite get the acclaim for this book — reminded me of a sci-fi Da Vinci Code. Looking forward to the movie being better. (B)
The French Dispatch. Maybe my favorite Wes Anderson movie since The Royal Tenenbaums? (A)
The Hunger Games. I watched all four movies in this series because I needed something familiar and also mindless to switch my brain off. (B+)
Ted Lasso (season two). Not quite as good as the first season and definitely not as beloved because they had some new ground to cover, but I enjoyed the season as a whole. And put me down as a fan of the Coach Beard Rumspringa episode. (A-)
Izakaya Minato. I don’t exactly know what it was about this meal, but I’m still thinking about it more than 3 months later. Really fresh, clean, creative food. (A)
Magnus on Water. Amazing cocktails, great service, and the outdoor seating area was just right. (A-)
The Lost Daughter. Gah, so good! Olivia Colman, Dakota Johnson, and Jessie Buckley are all fantastic and the direction and cinematography (all those tight, almost suffocating shots) were just great. Gonna be thinking about this one for awhile. (A+)
Therapy. I’ve got more to say about this at some point, but I’ve been seeing a therapist since September and it’s been really helpful. (A)
Dune. Felt good to see a serious blockbuster in the theater again. And to be able to rewatch it on HBO Max a couple of weeks later. (A-)
Ravine. I’ve only played this a couple of times with the kids, but it got high marks all around for fun and quick rounds. (B+)
The Power of the Dog. A slow burn with a great payoff. Wonderful cast & direction. (A)
No One Is Talking About This by Patricia Lockwood. I loved the first half of this book — lots of pithy observations about social media. (B+)
Don’t Look Up. Everyone is comparing this to Dr Strangelove and while it’s not quite on that level, it certainly does some of the same things for climate change that DS did for nuclear war. (A)
When We Cease to Understand the World by Benjamin Labatut. A super interesting mix of historical fact and narrative fiction about the swift technological changes that took place in the early 20th century that altered history in small and large ways. (A-)
Wingspan. Bought this game after reading Dan Kois’ review and our family has been enjoying it. (B+)
Pirates of the Caribbean. Still fun. I remember being very skeptical before seeing this for the first time back when it came out, but as soon as Jack Sparrow stepped off his sinking ship right onto the dock, I knew it was going to be good. (A-)
Clear and Present Danger. I don’t actually remember watching much of this…must have switched off my brain too much. (-)
Spies in Disguise. I read the plot synopsis of this on Wikipedia and I still don’t remember watching any of it. I think the kids liked it? (-)
Finch. Charming but nothing much actually happens? (B)
Eternals. Now that the Infinity Saga is done, I’m not sure how much interest I’m going to have in some of these new characters & storylines. (B)
Mad Max Fury Road. Seventh rewatch? Eighth? I just plain love this movie. (A)
No Time to Die. I am not really a James Bond fan but I liked this one. (B+)
Succession (season three). This got off to a bit of a slow, meandering start, but the last few episodes were just fantastic. (A)
Omicron variant. You think you’re out but they keep pulling you back in. (F-)
Swimming with bioluminescent plankton. Thought the water was going to glow as I swam through it, but it was more like sparkly fireworks. Magical. (A)
Xolo Tacos. We stumbled in here for dinner after nothing else looked good and were rewarded with the best tacos on Holbox. The carne asada taco might be the best taco I’ve had in years and we ended up ordering a second round. (A)
Beautiful World, Where Are You by Sally Rooney. I liked this one slightly less than her first two novels. But only slightly. (A-)
Free Guy. Fun entrant into the video game movie genre. (B+)
Hacks. It was fine but ultimately didn’t understand why so many people on my timeline were raving about this. (B+)
NY Times Crossword app. I’ve never been much for crossword puzzles, but the Times app does all the fiddly work (e.g. of finding the current clue’s boxes, etc.) for me so I’ve been enjoying dipping my toe into the Monday and Tuesday puzzles. But the Minis and Spelling Bee are where it’s at for me. (B+)
Avatar: The Last Airbender. After watching The Legend of Korra, the kids and I went back to watch Avatar. The first season and a half is kinda uneven, but overall we really liked it. The beach episode has to be one of the weirdest things I’ve ever seen on television and the one where Aang is hallucinating from the lack of sleep made my kids laugh so hard I thought they were going to pass out. (A-)
The Matrix Resurrections. I am someone who didn’t dislike the second and third Matrix movies as much as everyone else seemed to, and so it is with this one as well. Wish I could have seen this in the theater, but Omicron. (A-)