This is another great episode of James Payne’s Great Art Explained on the work of Claude Monet, specifically the massive water lily canvases he completed before his death, created as “a war memorial to the millions of lives tragically lost in the First World War”.
Claude Monet is often criticised for being overexposed, too easy, too obvious, or worse, a chocolate box artist. His last works, the enormous water lily canvasses are among the most popular art works in the world.
Yet there is nothing tame, traditionalist, or cosy about these last paintings. These are his most radical works of all. They turn the world upside down with their strange, disorientating and immersive vision.
Monet’s water lilies have come to be viewed as simply an aesthetic interpretation of the garden that obsessed him. But they are so much more.
These works were created as a direct response to the most savage and apocalyptic period of modern history. They were in fact conceived as a war memorial to the millions of lives tragically lost in the First World War.
I’ve seen these paintings at the Musée de l’Orangerie — amazing to see them exactly the way in which the artist intended them to be seen.
See also Film of Claude Monet Painting Water Lilies in His Garden (1915) and Monet’s Ultraviolet Vision.
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