Merriam-Webster asked 11 authors how they came up with their single-word book titles. Here’s A.S. Byatt talking about Possession:
The book began with a word — the title — Possession. Earlier novels have begun with characters, or themes, but Possession began when I was watching the great Canadian Coleridge scholar, Kathleen Coburn, working in the British Museum and thought — “she cannot have had a thought that was not his thought for the last 30 or 40 years.” And then I thought — “and what I know about him is mediated through her - she edited all his notebooks, checked the sources of the quotations, etc.”
And then I thought, “I could write a novel called Possession about the relationship between a dead poet and a living scholar.” And the word possession would have all sorts of senses — daemonism, ownership, obsession……
And Jeffrey Eugenides on Middlesex:
A good title tells you what the book’s about. It reminds you, when you lose heart, why you started writing it in the first place. I saw an interview with Francis Ford Coppola once where he said that he likes to boil down his films into one word. For The Godfather, the word was “succession.” Whenever Coppola decided something, even a small thing like a costume detail, he reminded himself of his theme in order to make everything cohere, from the storyline right down to the gangsters’ hats.
With two of my novels, The Virgin Suicides and The Marriage Plot, I knew the titles before I even started writing. I wasn’t so lucky with Middlesex. For years I had a terrible working title for that book, so bad I won’t even mention it here.
(via @john_overholt)
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