For Wired’s series Technique Critique, former CIA Chief of Disguise Jonna Mendez looks at several TV shows and movies to rate how good their spy scenes are.
Mendez gives high marks to characters from Alias and The Americans for effective use of disguises and low marks to The Bourne Identity and Homeland. In relation to Philip’s disguises on The Americans, she discusses the concept of the little gray man, the CIA’s goal for its agents to look like harmless middle-aged men, something she also mentioned in this Washington Post piece:
Rhys makes the case, however, for disappearing under nothing more than a knit cap and a pair of glasses, a scruffy mustache and a messy wig. He becomes the consummate little gray man, invisible, the one nobody can remember was even on the elevator.
Mendez also talks about the three cover identities that CIA agents were not allowed to use: clergy, media figures, and Peace Corps volunteer. She previously did this video with Wired about how the CIA used disguises.
Tags: CIA espionage Jonna Mendez movies The Americans TV videofrom kottke.org http://bit.ly/2woXB8V
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