Using their extensive database of member ratings, Letterboxd averaged the ratings for the Best Picture nominees for each year to determine which years ranked highest. The top five are (official Academy winners marked w/ an asterisk):
- 1975 (One Flew Over the Cuckoo’s Nest*, Barry Lyndon, Dog Day Afternoon, Jaws, Nashville)
- 2019 (Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite)
- 1976 (Rocky*, All the President’s Men, Bound for Glory, Network, Taxi Driver)
- 1974 (The Godfather Part II*, Chinatown, The Conversation, Lenny, The Towering Inferno)
- 1994 (Forrest Gump*, Four Weddings and a Funeral, Pulp Fiction, Quiz Show, The Shawshank Redemption)
1975 was apparently the clear winner but 2019 in the #2 spot is a very strong showing, especially considering there are the ratings of nine nominees to average instead of just five. But as this analysis shows, the Academy and Letterboxd users do not often agree on which Picture is “actually” Best:
It is often said that The Academy doesn’t always choose the nominee that *actually* deserves Best Picture. And according to the average ratings of the nominees on Letterboxd, that is true about 76% of the time!
I’d guess there’s also a recency bias at work (newer films tend to get rated higher), as well as age-related (I’d guess Letterboxd skews young-ish?) and gender-related (majority male, but probably not as much as IMDB) biases. It would be neat to see how controlling for those effects would affect the average ratings. (via @mrgan)
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