Sebastian Marroquin is an architect who also happens to be the son of Colombian drug lord Pablo Escobar. Matt Shaw of The Architect’s Newspaper recently interviewed Marroquin, and it’s interesting throughout, more so than I expected.
For the first house that I built in Colombia, I didn’t even know who the client was. It was a mystery. There was a request, and they sent me the photographs, the plans, the coordinates, and everything that I needed to design the house. I never went to the place where the house is built. I don’t even know where it exists. When it was complete, they called me and I found out that the owner was one of the guys who, in 1988, put 700 kilos of dynamite in my house. It was a miracle that we survived because I was with my mom and my little sister there. It was the first car bomb in Colombia’s history. So I built the house for the guy who ruined mine.
It was a way for them to ask for forgiveness and in a way to understand us. They knew who I was from the beginning. It was weird and it was a clear opportunity and it was clear that a lot of things have changed in Colombia and that is a great example of how things have really changed now. People want to make peace.
Marroquin struggles with his father’s legacy and its effect on his career but also took obvious inspiration from Escobar’s own interest in architecture.
I believe that in a way my father was also an architect, he was very clever. He was just an architect for his own convenience. There was a Sunday my father took me to airplane fields and in the middle of the jungle, we were standing on the airfield and he asked me, “where is the airfield?” I couldn’t see it, and he said, “You are standing in it.” I couldn’t see it because I was looking at a house in the middle of the runway and there was no way the plane could land because it would crash against the house. He took a walkie-talkie and told one of his friends to move the house. It was on wheels. When the airplanes from the DEA (US Drug Enforcement Agency) were searching with satellites looking for hideouts, they couldn’t find anything because there was a house in the middle of what was a possible airfield. The planes can use it — just move the house.
That’s why he was a great architect because when you visited the house, it worked. It had the bathrooms, the shower, everything. If the police went to the house, it would function perfectly. I believe that a lot of things from architecture I learned from my father and especially places to hide. He used architecture to hide.
(via @DesignObserver)
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