Like Instagram filters and vinyl records, the use of film grain in movies is now a conscious choice on the part of media creators and consumers. In this video featuring the recent Nic Cage horror movie Mandy (which I hadn’t even been aware of), Evan Puschak discusses how film grain can function as an integral part of a film’s story & mood, not just as a “byproduct of chemical processing”. I found Steven Spielberg’s comment about film grain especially interesting:
Tags: Evan Puschak movies Steven SpielbergThe grain is always moving, it’s swinging, which means that even in a still life, let’s say a flower on a table, that flower is alive even if it’s not moving.
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