German photographer Michael Wolf, who documented life in our densest cities, has died at the age of 64.
Though seldom commented on by art critics, there was a political undertone to Wolf’s work. In several of his best-known series, even the ones where people were an invisible presence, his striking images point to the human cost and extraordinary resilience of contemporary city dwellers caught up in the Darwinian thrust of global capitalism. For every epic project like Architecture of Density, there were intimately observed series’ created during his various trawls through Hong Kong’s back alleys. There, he caught telling glimpses of the city’s makeshift character: customised chairs, surreal arrangements of kitchen mops and wire coat hangers, twisting gas and water pipes, all the mundane everyday objects that speak of the relentless resourcefulness of its residents, and of Wolf’s eye for accidental sculptural beauty amid the seemingly mundane. A detached gaze, yes, but an expressively tender one all the same. It will be missed.
Wolf’s most well-known project was Architecture of Density, a series of photos taken of the buildings of Hong Kong.
Another Hong Kong project was 100x100, in which he documented 100 apartments of the now-demolished Shek Kip Mei Estate that were each about 100 square feet in size.
Tokyo Compression catches Japanese commuters pressed up against the windows of their train cars.
Bastard Chairs catalogues dozens of improvised devices for seating.
Wolf talked about his work in this short video profile:
You can view Wolf’s complete catalog of work on his website.
Tags: architecture cities Michael Wolf photographyfrom kottke.org http://bit.ly/2J4D0yb
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