Game of Thrones made its return to HBO last night and, surprise, someone died! According to this compilation video, over 174,000 people have died on the show in seven seasons. The sheer numbers and the fact that some of the deaths have been, shall we say, a little creative (even for a fantasy show) sometimes interfered with my ability to fully suspend my disbelief when watching. Take Khal Drogo killing Viserys Targaryen by pouring molten gold on his head in the first season:
That’s a pretty outlandish death, an over-the-top display of sadism for the benefit of a TV audience. Right? Well, I’ve been reading Peter Frankopan’s The Silk Roads: A New History of the World and I’ve discovered that Game of Thrones hews close to historical precedent when it comes to inventive murder.
According to some sources, after the Roman Emperor Valerian was captured in battle in the 3rd century, he was subjected to something much worse than a simple death at the hands of the Persian Emperor, Shapur I:
The Emperor Valerian was humiliated after being taken prisoner and held in “the abject form of slavery”: used as a human footstool for the Persian ruler “by bending his back to raise the king as he was about to mount his horse,” his body was eventually flayed “and his skin, stripped from the flesh, was dyed with vermilion, and placed in the temple of the gods of the barbarians, that the remembrance of a victory so signal might be perpetuated and that this spectacle might always be exhibited for our ambassadors.” He was stuffed so all could see the folly and shame of Rome.
Around the end of the 10th century, a leader of the Rus’ was ritually executed by Pecheneg steppe nomads:
The capture of the prince was gleefully celebrated, and his skull was lined with gold and kept as a victory trophy, to be used to celebrate ceremonial toasts.
In 1182, rising tension between the Byzantine Empire and the rising Italian city-states like Venice resulted in attacks against citizens of the city-states who were living in Constantinople:
Many were killed, including the representative of the Latin church, whose head was dragged through the city’s streets behind a dog.
The Mongols, under Genghis Khan and subsequent rulers, used brutality as a tool to shock and awe local populations into peaceful submission, making examples of those who resisted their advances:
Nīshāpūr was one of the locations that suffered total devastation. Every living being — from women, children and the elderly to livestock and domestic animals — was butchered as the order was given that not even dogs or cats should be left alive. All the corpses were piled up in a series of enormous pyramids as gruesome warnings of the consequences of standing up to the Mongols.
It was a very effective technique:
In 1241, the Mongols struck into the heart of Europe, splitting their forces into two, with one spur attacking Poland and the other heading for the plains of Hungary. Panic spread through the entire continent, especially after a large army led by the King of Poland and the Duke of Silesia was destroyed, and the head of the latter paraded on the end of a lance, together with nine sacks filled with “the ears of the dead.”
When the Mongols conquered Baghdad in 1258, they moved through the city “like hungry falcons attacking a flight of doves, or like raging wolves attacking sheep,”
The city’s inhabitants were dragged through the streets and alleys, like toys, “each of them becoming a plaything.” The Caliph al-Mustaʿṣim was captured, rolled up in fabric and trampled to death by horses. It was a highly symbolic moment that showed who held real power in the world.
And finally, if there was any remaining doubt that George R.R. Martin modelled the Dothraki on the Mongols and Khal Drogo on Genghis Khan, consider the death of Inalchuq, a 13th-century Persian governor:
Stories such as that of a high-ranking official who was ordered into the presence of a newly arrived Mongol warlord and had molten gold poured into his eyes and ears became widely known — as was the fact that this murder was accompanied by the announcement that this was fitting punishment for a man “whose disgraceful behaviour, barbarous acts and previous cruelties deserved the condemnation of all.”
Perhaps Game of Thrones doesn’t seem so fantastical after all…
Tags: books Game of Thrones Peter Frankopan The Silk Roads TV videofrom kottke.org http://bit.ly/2PaqbDs
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